Wolfgang Dickmann

Birth : 1943-02-26, Berlin, Germany

Movies

Die Bergwacht - Duell am Abgrund
Director
Jimmy the Kid
Director
Stockholm Marathon
Director of Photography
A gardener decides to exact revenge on the men he believes to be responsible for the death of his mentally disturbed wife.
The Police Murderer
Cinematography
A woman is found murdered in a closed amusement park. A young couple who happen to be there at the same time become, without their knowledge, suspects for the murder. They are chased by a large number of police but only Martin Beck believes them to be innocent.
Mord aus Liebe
Director of Photography
Verlierer
Cinematography
The director Bernd Schadewald shows the brutal everyday life of the low class generation in the 80s, where two youth gangs fight in a war. The "Sharks" and "Council" defend their territories with their lives. Violence, hatred and brutality are commonplace soundtracked by thrash metal music. As the conflict grows, it comes to the final battle: a man-versus-man duel for Richy (Ralf Richter), the leader of the "Sharks".
Red Heat
Director of Photography
East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).
Baby
Cinematography
Baby is a young man who dreams of opening a gym. But he's gay and the man he loves is married and a criminal. Will Baby get involved/get caught/get his dreams fulfilled or destroyed?
The Lite Trap
Director of Photography
Germany, 1981. State Security Service agent Harald Love is sent on a secret mission from the GDR to the Federal Republic, to verify an informant with the code name "Heinz" who is suspected to be a double agent. A job that may change his life forever...
The Willi Busch Report
Cinematography
Satire about German reunification.
Menschenfrauen
Director of Photography
Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.
Hansel and Gretel Lost in the Forest
Director of Photography
The Grimm Bros. tale of the brother and sister who wander into a witches' house, but told with a more adult slant (in other words, lots of nudity).