Erkan Altınok

A true intersection story of a teenage boy lives in Black Sea hills whose life is full of struggle, a heroic soldier Ferhat and an uninvited visitor from back of beyond.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

This film tells the struggle of Armenian families migrated to Turkey/Istanbul who try to provide education for their children despite all the circumstances. In the core of this struggle, which started in 2003, there stands a dining hall centered school, located in a basement of a church where migrant children receive education from volunteer educators. During the film, the struggle of children living in a foreign land, their daily lives, their former habits and longings are told through the eyes of migrant children.

Recep Ivedik coaches the children football team in his neighborhood. For the training he uses the only free piece of land as football field on which he used to play football as a child. Recep notices sadly that this piece of land was sold to a businessman. So as not to loose this for the neighborhood and the children valuable piece of land he decides to re-buy it on his own. With his own methods he does not receive the money. The participation in a competition with a big price is the only solution of his problem ...

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.

Güneş lost herself after her family's dying on 1999 Istanbul earthquakes. Probably her hearing and seeing ability is not good too. The chaos of Güneş (The sun) is a metaphor for creation of the solar system.

Carpet dealer and UFO photo forger Arif is abducted by aliens and must outwit the evil commander-in-chief of G.O.R.A., the planet where he is being held.

This is the movie that Cem Yılmaz showed to his audiences before he started his stand-up show in 2000s.