Yakiv Kucherevskyi

Nikita, talented young dancer, enters Let's Dance competition to earn money for his brother's surgery but a brief encounter with a famous singer Liza, who hosts the competition, puts his chances of winning and even life at risk.

USSR, Late November, 1941. Based on the account by reporter Vasiliy Koroteev that appeared in the Red Army's newspaper, Krasnaya Zvezda, shortly after the battle, this is the story of Panifilov's Twenty-Eight, a group of twenty-eight soldiers of the Red Army's 316th Rifle Division, under the command of General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though armed only with standard issue Mosin-Nagant infantry rifles and DP and PM-M1910 machine guns, all useless against tanks, and with wholly inadequate RPG-40 anti-tank grenades and PTRD-41 anti-tank rifles, they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.

In the city centre, two thieves steal a bag with one million Euros from a car, thinking that at last they're in luck; yet they cannot even fathom what they got themselves into. A proper hunt for this money begins.

The sniper, who received the operational pseudonym "Trucker", shoots criminal authorities one by one. Who is this killer - the executor of someone else's order or the initiator of a criminal war with the goal of a gangster redistribution? This is what Colonel Pogozhev will have to find out.

Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family.

This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.

A strange man intervenes between ex-spouses on a matter directly related to a large sum of money one of them had secured after selling a piece of property.

During the summer of 1947 a group of detectives are going to Odessa with the undercover mission - to fight a post-war criminal wave.

The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.