Commune Woman #1
Savage Messiah is a docudrama about Roch "Moïse" Thériault, the charismatic former leader of a small religious group based near Burnt River, Ontario, Canada. Between 1977 and 1989 he held sway over as many as 12 adults and 26 children. He used all of the nine women as concubines, and probably fathered most of the children in the group. During his reign, Thériault mutilated several members. His major crime was to kill Solange Boilard, his legal wife, by disembowelment while trying to perform surgery on her. He was arrested for assault in 1989, and convicted of murder in 1993. Along with Clifford Olsen and Paul Bernardo, Thériault is considered one of Canada's most notorious criminals.
Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.
This crime drama concerns Guillaume (Jacques Godin), who has just finished serving 10 years in prison for a crime he never committed. Now he is out seeking revenge against his old "buddy" who lied on the stand and put him in jail. He brings along his young granddaughter and drives like a maniac as he nears his destination. That sets three brutish thugs on his tail, anxious to corner him and end his days behind the wheel. So while Guillaume is chasing down his betrayer, he is being chased in turn. It's not a formula for continued good health.
Gisele
In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.
