Manuel Aranguiz

A bingo game. An allegorical, wild and humorous portrait. An hommage to eccentricity and entertainment, to those things that remain unchanged.

Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.

The film follows the events of the night of February 4, 1992 in Caracas, Venezuela. That night a group of military rebels staged a coup d'etat. Venezuelans found themselves as virtual prisoners. As the coup starts and fighting takes place from a military base which is in the center of the city's most affluent areas, with both luxury high rises and palatial mansions. The area of La Carlota provides a wealth of very interesting, often flamboyant and typical characters of the Latin America upper middle and upper classes. They are among the most affected. Various vignettes in these different characters' homes are developed. These people's reactions, lifestyles, vices, and humanity come out in a very honest fashion under duress.

This arty Canadian drama centers on a young Vietnamese woman who marries a petty thief she does not love so she can emigrate to Canada. The rest of her family moves there too, but none of them find a particularly happy life, though Lucky, Lulu's husband, would do anything to insure his wife's happiness, even if it is self-destructive.

A round of unerotic sexual couplings in Toronto, interspersed with interviews about an impending total eclipse.

Fleeing from some other children who want to beat him, Olivier meets the ghost of a Pirate who every hundred years tries to find a parchment. Olivier agrees to help him. But in doing so he is captured by a bunch of pirates. The other children of the village discover a door thru time and space in an old haunted house and decide to rescue Olivier from Captain Monbars' pirates.

A woman agrees to a marriage of convenience with a refugee.

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army.