Truus van Aalten

Truus van Aalten

Birth : 1910-08-02, Arnhem, Gelderland, Netherlands

Death : 1999-06-27

History

Truus van Aalten was a Dutch actress who shot to fame in Germany at the end of the 1920s. She appeared in over twenty (UFA) films, usually taking on the role of a lively young girl who gets herself into all sorts of comical scrapes. 'Het Meisje in de Blauwe Hoed' was to be the only film she ever made on her native soil.

Profile

Truus van Aalten

Movies

Ein ganzer Kerl
Anni, junge Witwe
The Girl in the Blue Hat
Betsy
When grocers's son Daantje Pieters is drafted, he falls for a girl in a blue hat he spots aboard the train to the garrison. At the barracks in The Hague, crafty conman Toontje takes Daantje under his wing. Toontje decides to help him look for his dream girl, but draws the line at them planning an engagement — for such things are not for soldiers.
Tales from the Vienna Woods
Mary Limford
A journalist travelling by train to Vienna meets an American millionairess travelling incognito. They become friends and decide it'd be fun to swap places for awhile.
Teilnehmer antwortet nicht
Erika Becker
Excursion into Life
Alma Marfield, Bürofräulein
Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.
The Beggar Student
Bronislava
First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.
Kopfüber ins Glück
Lily
Kasernenzauber
Rosl
Schoeller Boarding House
Grete Klapproth
Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.
Darling of the Gods
Ballettratte
Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.
Only on the Rhine ...
Lore, Hannes Freundin
O girl, my girl, how I love you!
Kitty
Der Sonderling
Anni
This was Karl Valentin's first feature-length movie, as well as his last silent movie.
Die fidele Herrenpartie
Erika Bollmann
Der moderne Casanova
Veronika Abendroth
Leontines Ehemänner
seine Schwester
Das Spreewaldmädel
Die geheime Macht
Lilian
"The Secret Power" - Hardly anyone who strays into the emigrant's restaurant "Strange Bird" would suspect that the porter once was a general, the waiter a prince and the cook an admiral, and that the lady at the bar is actually the princess Sinaide forced was leaving their home.
Six Girls and a Room for the Night
The Happy Vagabonds
Bertha
His Late Excellency
Elsa Buxbaum, die Tochter
In the Ruritanian kingdom of Leuchtenstein, the old ruler has just died. His subjects are a bunch of intrigants, and his only real friend was the Baroness Windegg (Olga Tschechowa), a kind-hearted, witty, and very attractive woman, who however was not much loved by the Leuchtenstein upper class. And as these are only interested in getting better positions and other wealths after His Excellency's death, the baroness invents the story that the old ruler wrote his memoirs before his death, containing a lot of intimate, delicate and potentially embarrassing details about the Leuchtenstein dignitaries. Unsurprisingly, everyone is afraid about the details to be revealed. Only the successor to the throne, Prince Ernst Albrecht (Willy Fritsch) sees through the baroness' scheme, and as he is a lusty young man, he joins in her prank.