María Vázquez

Teresa (María Vázquez) changes her vacation plans to spend the summer with Ani, her mother (Adriana Ozores). Living together day and night after so many years is not easy for either of them. Accustomed to living alone, it is difficult for them to agree on even the small things of daily life. However, the forced coexistence will also bring revealing moments for both.

A vibrant portrait of a woman in a Galician fishing village who is struggling to get by with hard work and rough charm. With her 18-year-old daughter now ready to stand on her own two feet, Ramona begins to question her life up to this point.

1909. Miguel, a young teacher, is destined for a small mountain town on the border between Spain and Portugal: Lobosandaus, an inhospitable place, inhabited by distant people with remote traditions. It doesn't seem like the ideal place for someone like Miguel, who is determined to spread light and knowledge among his students. But reason cannot overpower desire, and as winter progresses, Miguel feels the darkness take over everything around him while his fascination with the enigmatic Dorinda grows. The unexpected death of an inhabitant will have a big impact on the city and will open the doors to a strange and ghostly presence.

Brothers-in-law, Eduardo and Sabonis, married to sisters Cuca and Peque Ribeiro, have made a real mess of one of their business ventures and are in need of money, a lot of money. It will be Sabonis who, in one of his uncontrollable fits of rage, comes up with a plan to fix all their problems in one go: kidnap Modesto, brother-in-law to Alicia Zamora, the businesswoman who screwed them over. There’s just one problem: Alicia has no intention of paying even a penny to get her brother-in-law back. In the end, it will be Modesto himself who comes up with a new plan to help Eduardo and Sabonis get the money they need to save the family wine business. What they don’t know is that police officer Mati, the Ribeiro’s middle sister, is on to their little plan. Eduardo, Sabonis and Modesto have everything to lose, but as Sabonis would say, what could go wrong?

Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home. Now, Padín's two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.

Carme lives in a mountain village in Galicia with her sick mother and her father Ramón, with whom she hardly speaks. Working in a bakery, she feels the urge to escape from this oppressive atmosphere, but circumstances always seem to stop her. But during the “Rapa das Bestas” weekend – a celebration of the age-old struggle between man and horse – Carme’s older brother, Luís, comes home with his wife María...

Ever since her mum died when she was fifteen, Maria has taken care of her father and her siblings. Responsible and in control, she's always been a rock for the family and feels proud of her efforts. That's why her father's sudden love for his nurse and the announcement of their marriage brings Maria's world crashing down around her. At the age of 35 and unable to find a steady partner, she'll have to take the plunge and dare to change her own fate.

One morning, the body of a sailor is found lying on the beach, washed in by the tide.. With no witnesses or any sign of the dead man’s boat, Inspector Leo Caldas begins immersing himself in the town’s seafaring atmosphere as he endeavours to shed light on the crime. He finds himself among men and women who prefer not to reveal their suspicions to him. But a sudden discovery sets him off in an unexpected direction.

On a day like any other, Chila Huerta wakes up her three children and abandons the house that she shares with her husband. The town is left to wonder what secrets Chila is hiding.

Food, glorious food! Some of the most sumptuous and involving films revolve around that most common of acts: eating. 18 MEALS is an omnibus film of criss-crossing stories divided into three segments; breakfast, lunch and dinner. Jorge Coira's debut feature, shot over nine days in Santiago de Compostela has enough tasty portions to please audiences. Amongst Coira's expansive ensemble are aging street musician Edu, a pair awaking from a one-night stand, a businessman visiting his closeted homosexual brother and a lonely housewife, Sol. Victor and Sol are two of 18 MEALS' most fascinating characters as they each hide something - his sexuality, her depression - from those around them. Best of all is Pedro Alsono as Vladimir, a local celebrity actor who makes a meal for a mystery woman who never arrives. Who hasn't gone to a lot of trouble to do something extra special for someone just to have it go unappreciated?

Private detectives Inés, Eva, and Carmen often invade others' privacy but are clueless about confronting their own secrets. While on the job, these three surveillance specialists will have to cross the thin line dividing public and private matters, bringing their own issues to light in order to solve more than just their professional cases.

María, Juanita, Vicky, Mena and Nitzia (Zay Nuba) are 5 girls who live on the outskirts of Madrid without an encouraging future. Their only recourse to survive is by doing muggings. They know it's wrong but can't find another solution. Only love will ease their pain

The Night of the brother ("La Noche del Hermano") is a chiaroscuro tale in which the characters' not always explicit feelings cover the gamut from darkness to light through the thin line between love and fear. Because the events of life are often less astonishing than the way they are shown to us.

In 1945 Spain a young man with Nazi contacts fell in love with a left wing family woman.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.