Jamie Blanks
Birth : 1971-11-29, Australia
History
From Wikipedia, the free encyclopedia
Jamie Blanks (born November 29, 1971) is an Australian film director and composer. He directed the cult slasher films Urban Legend (1998) and Valentine (2001). He later directed the horror films Storm Warning (2007) and Long Weekend (2008).
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Philipp Escott returns to the roots of THE TEXAS CHAIN SAW MASSACRE, accompanied by familiar filmmakers and critics, delving into the reasons behind the movie’s impact on an entire generation and its perpetuating legacy.
Original Music Composer
A troubled teenage girl who’s struggling to cope with the accidental death of her father suspects that the mysterious killer stalking her hometown is not only her neighbour but her mother’s new romantic interest.
Executive Producer
On October 31, 1955 June & Frank Marsters met their grisly end when an escaped killer known as the Willow Woods Wolfman broke into their house. In the decades since the night has grown to be the stuff of local legend, but what really happened that Halloween?
Self
This two and a half hour documentary takes a look at the making of the 1998 horror film Urban Legend.
Editor
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Original Music Composer
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Music
A group of elite soldiers sent to infiltrate and extract the lead science team from Pine Gap, Australia's top secret underground military compound, after it comes under attack from unknown forces. The mission is compromised when they encounter a young woman with no memory of who she is or how she came to be there. As they try to escape, the group quickly discovers all is not as it seems and the facility has become a testing ground for something far more sinister.
Original Music Composer
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Original Music Composer
College student Ben inherits a curious old mechanical box that churns out voodoo dolls. When a shadowy figure starts using the box to murder Ben's friends, he must find the killer.
Director
Peter and Carla, a couple whose marriage is faltering, decide to go on a camping weekend. When they become lost, the pair sets up camp on a remote beach that doesn't seem to be on any map. At first the trip is the romantic getaway they imagined – then slowly things begin to go wrong. After Peter disrespects the unspoiled habitat, it seems as if the surroundings are exacting revenge on the couple, as insects, animals, and then nature itself become the enemy.
Self
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Editor
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Editor
A couple becomes lost in a massive storm and seek refuge at a nearby farmhouse, only to be captured by deranged killers.
Original Music Composer
A couple becomes lost in a massive storm and seek refuge at a nearby farmhouse, only to be captured by deranged killers.
Director
A couple becomes lost in a massive storm and seek refuge at a nearby farmhouse, only to be captured by deranged killers.
Director
Four friends start receive morbid Valentine cards and realise they are being stalked by someone they had spurned 13 years ago. A masked killer is on the loose and Valentine's day is soon approaching.
Director
A college campus is plagued by a vicious serial killer murdering students in ways that correspond to various urban legends.
Editor
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.
Music
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.
Writer
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.
Director
A young woman takes a babysitting job during a bad thunderstorm. She begins to receive frightening phone calls from a young boy who claims he needs help. It seems that the boy's abusive father has locked him up somewhere, and he can't get out. The woman calls the police so they can trace the boy's call, and then they all learn the shocking truth about the boy's whereabouts.