Tora Teje

"Marriage" - Paul Rosenkrans is a Captain of the Swedish Navy and has been married to his Signe for six years. They are still as in love as if they were newly engaged. But when Paul's leave is over for this time, Signe meets an old good friend, the plucky suffragette Annie Behrman, chairman of "Women's Political Freedom Party". Annie has written a book about the woman's slavery in marriage and begins to process Signe with her ideas that soon makes Signe see her marriage in a whole new light.

A shoemaker purchases a lottery note with two friends, and hides it from his wife for safekeeping. He soon learns that their ticket has the winning numbers but is afraid to tell his colleagues it is missing. Based on the play by Algot Sandberg.

A collective of office girls and their tribulations in the male world, female solidarity, the place of women in the labor and civil rights struggles and the conflict between love and work.

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

"Family Traditions" - The young Baron Robert falls in love with his distant relative Helga.

Erotikon is a 1920 Swedish romantic comedy film directed by Mauritz Stiller, starring Tora Teje, Karin Molander, Anders de Wahl and Lars Hanson. It is based on the 1917 play A kék róka by Ferenc Herczeg. The story revolves around an entomology professor obsessed with the sexual life of bugs, and his easygoing wife who is courted by two suitors.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

When two riders come to the monastery seeking shelter for the night they inquire from one of the monks about the founding of the monastery. The old monk reluctantly recounts the story of Count Starschensky, a nobleman of wealth and property. Starschensky is blessed with domestic happiness, however, he later finds that his young wife, Elga, has been sneaking her lover into the castle in evenings when he is away, and that their only child is not his, but a product of this affair. Tragedy ensues and the count sells his estates and establishes the monastery as part of his penance.