Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.
Play about Eileen who steals a baby, and the reactions of those around her, including the priest, police, and authorities and the consequences of what she does.
Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.
Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchic political convictions.
Michael Marler, a successful business man in London, is about to make his way to the top. The death of his father brings him - after 37 years - back to his hometown Liverpool, where he is confronted with his lost Irish roots. He finds out that his father died because of a fight with some anglo-saxon teddy boys. It becomes "a matter of honour" for him, to take his revenge without involving the British police
During the troubles in Ireland an IRA bomb plot is hatched to blow up a British power station. Sean Rogan (Tom Bell) is an IRA bomb expert and escapes from prison to try and stop the destruction.
