Steve 'Spaz' Williams

Birth : 1962-01-10, Ontario, Canada

Movies

Jurassic Punk
Self
Steve ‘Spaz’ Williams is a pioneer in computer animation. His digital dinosaurs of Jurassic Park transformed Hollywood in 1993, but an appetite for anarchy and reckless disregard for authority may have cost him the recognition he deserved.
The Wild
Additional Voices (voice)
An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.
The Wild
Director
An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.
No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects
A look at the digital effects in Terminator 2: Judgment Day.
Spawn
Visual Effects Supervisor
After being murdered by corrupt colleagues in a covert government agency, Al Simmons makes a pact with the devil to be resurrected to see his beloved wife Wanda. In exchange for his return to Earth, Simmons agrees to lead Hell's Army in the destruction of mankind.
The Making of 'Spawn'
Himself
Documentary on the making of the 1997 film 'Spawn.'
Jurassic Park
CG Animator
A wealthy entrepreneur secretly creates a theme park featuring living dinosaurs drawn from prehistoric DNA. Before opening day, he invites a team of experts and his two eager grandchildren to experience the park and help calm anxious investors. However, the park is anything but amusing as the security systems go off-line and the dinosaurs escape.
Terminator 2: Judgment Day
Animation Supervisor
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get the rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
The Making of 'Terminator 2: Judgment Day'
Self
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
The Hunt for Red October
CG Artist
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. A lone CIA analyst has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find him, too. The hunt is on!
The Pink Panther
Animation Director
A live-action/CGI hybrid feature film centered on the iconic cat. Will focus on a smooth operating inspector who, thanks to a traumatic event, now has a pink panther for an imaginary friend. The latter, although he doesn’t speak, does help solve the case.