Ricky Eyres

Movies

Expend4bles
Production Design
Armed with every weapon they can get their hands on and the skills to use them, The Expendables are the world’s last line of defense and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give “new blood” a whole new meaning.
Howl
Production Design
When passengers on a train are attacked by a creature, they must band together in order to survive until morning.
Last Knights
Production Design
When an evil emperor executes their leader, his band of knights – bound by duty and honour – embarks on a journey of vengeance that will not come to an end until they've destroyed their mortal foe.
His Heavy Heart
Production Design
Picks up the narrative of the hapless James Mitchum from a point following his dreadful realization at the conclusion of Jimmy’s End. In a grotesque parody of Egyptian funerary rites, James is shepherded less than gently into his unenviable afterlife.
The Darkest Hour
Supervising Art Director
In Moscow, five young people lead the charge against an alien race which has attacked Earth via our power supply.
Coriolanus
Production Design
Caius Martius, aka Coriolanus, is an arrogant and fearsome general who has built a career on protecting Rome from its enemies. Pushed by his ambitious mother to seek the position of consul, Coriolanus is at odds with the masses and unpopular with certain colleagues. When a riot results in his expulsion from Rome, Coriolanus seeks out his sworn enemy, Tullus Aufidius. Together, the pair vow to destroy the great city.
Heartless
Production Design
The story follows Jamie, a troubled young man with a birthmark on his face, which has left him feeling isolated and fearful, hiding from the world outside. He lives in the East End of London, an area notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, Jamie discovers the terrifying truth.
Solomon Kane
Production Design
A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.
The Disappearance of Alice Creed
Production Design
A rich man's daughter is held captive in an abandoned apartment by two former convicts who abducted her and hold her ransom in exchange for her father's money.
Stormbreaker
Production Design
Alex Rider thinks he is a normal school boy, until his uncle is killed. He discovers that his uncle was actually spy on a mission, when he was killed. Alex is recruited by Alan Blunt to continue the mission. He is sent to Cornwall to investigate a new computer system, which Darrius Sayle has created. He plans to give the new computer systems to every school in the country, but Mr. Blunt has other ideas and Alex must find out what it is.
Green Street Hooligans
Art Direction
After being wrongfully expelled from Harvard University, American Matt Buckner flees to his sister's home in England. Once there, he is befriended by her charming and dangerous brother-in-law, Pete Dunham, and introduced to the underworld of British football hooliganism. Matt learns to stand his ground through a friendship that develops against the backdrop of this secret and often violent world. 'Green Street Hooligans' is a story of loyalty, trust and the sometimes brutal consequences of living close to the edge.
The Parole Officer
Art Direction
A hapless parole officer is framed for murder by a crooked police chief. To prove his innocence he must entice his former clients away from the law abiding lives they are now living to recover the evidence that will save him.
The Adventures of Young Indiana Jones: Love's Sweet Song
Art Direction
In the seventh film in the series, in April 1916, a disillusioned Indy hops the ocean to Europe where he figures the Great War might offer him a greater sense of purpose.
The Adventures of Young Indiana Jones: Passion for Life
Art Direction
In the second film in the series, in 1908, ten-year-old Indiana Jones is on safari in British East Africa. Here, he befriends a Massai boy named Meto who helps him in his search for the little seen Fringe-Eared Oryx for former US President Teddy Roosevelt. Later, he and his family and tutor travel to Paris, France where Indy meets a young Norman Rockwell and gets involved in a quarrel between the painters Edgar Degas and Pablo Picasso. The young American boys get a fascinating insight into modern art as Picasso schemes to one up the old master Degas.
The Adventures of Young Indiana Jones: My First Adventure
Production Design
In the first film in the series, in May 1908, famed Professor Henry Jones Sr. is invited to give lectures all over the world. He takes along his wife and son, and invites his former tutor Miss Helen Seymour to teach Henry Jr. during the trip. Their first stop is Cairo, Egypt. When Junior, who prefers to be called 'Indy' and Miss Seymour visit the pyramids, they are invited by T.E. Lawrence (another former student of hers) to join an archaeological dig. When the mummy disappears and a priceless headpiece is stolen, young Indy gets his first taste of adventure. On their next stop in Tangiers, the family stays with Professor Jones' former class mate Walter Harris. Indy befriends a young slave named Omar who belongs to Emily Keen. The two of them get into trouble when they Indy insists on visiting the market place to see a salted head displayed on a pole. Caught by slave traders, they are end up at an auction from which only Harris can attempt to rescue them.
The Adventures of Young Indiana Jones: Masks of Evil
Art Direction
In the seventeenth film in the series, in 1918, a top-secret mission for French Intelligence brings Indy to Istanbul. Exploring the city's dark and dangerous streets, he is thrust into a web of betrayal and murder when he discovers a vile Turkish plot to assassinate French espionage agents. Evil of a more enduring kind awaits him in Transylvania, where he engages in mortal combat with bloodthirsty Vlad the Impaler and his horrific army of the living dead. With his very life at stake, Indy must garner all his strength and wits in order to defeat the fiend and save mankind.
The Adventures of Young Indiana Jones: Oganga, The Giver and Taker of Life
Art Direction
In the eleventh film in the series, in December 1916, Indy, still stationed in Africa, is promoted to Captain and then ordered to cross the jungle with Remy and Captain Boucher to pick up a shipment of weaponry. Along the way, Ubangan Sergeant Barthélèmy picks up the sole surviving child from a disease-ravaged village despite Boucher's orders against it. On the way back, Indy and company succumb to disease themselves, and are picked up by Albert Schweitzer and the orderlies from his jungle hospital. At first resistant to being treated by a German, Indy soon begins to realize that Schweitzer is not interested in war, only attempting to cure people against all odds.
The Adventures of Young Indiana Jones: Spring Break Adventure
Production Design
In the sixth film in the series, in February 1916, high school student Indy's plan of taking his girlfriend Nancy is sidetracked when a mysterious break-in, the theft of an electric motor, and rumors of German spies result in a mystery that only young Indy and Nancy can unravel. Indy and his father then head to the southwest to visit family in Albuquerque, where Junior is taken captive by Pancho Villa and his riders.
The Adventures of Young Indiana Jones: Tales of Innocence
Production Design
In the sixteenth film in the series, in 1917, Indiana Jones is working to get Austrian deserters safely to the allies side in the Italian Alps. In his spare time, he is wooing an Italian beauty named Guiletta. When he finds out another man is vying for her attention, Indy and his new pal, ambulance driver Ernest Hemingway, make plans to crush Indiana's competitor by smothering Guiletta with presents and compliments. Afterwards, Indiana is begrudgingly ordered to Casablanca to find a traitor who is selling arms to the Berber rebels. Traveling incognito, he is joined by American novelist Edith Wharton and journalist Lowell Thomas. Indy and Edith soon find themselves attracted to each other despite their age difference.
The Adventures of Young Indiana Jones: Winds of Change
Art Direction
In the nineteenth film in the series, in May 1919, Indy is working as a translator at the historic Paris Peace Conference. He meets up with T.E. Lawrence once more, but finds his ideals have changed a lot since the start of the war. Indy then decides to finally head home to Princeton - even though it means having to face his father. He gets reacquainted with his childhood friend Paul Robeson, who becomes the target of racism when they visit New York City.
The Adventures of Young Indiana Jones: Winds of Change
Production Design
In the nineteenth film in the series, in May 1919, Indy is working as a translator at the historic Paris Peace Conference. He meets up with T.E. Lawrence once more, but finds his ideals have changed a lot since the start of the war. Indy then decides to finally head home to Princeton - even though it means having to face his father. He gets reacquainted with his childhood friend Paul Robeson, who becomes the target of racism when they visit New York City.
The Adventures of Young Indiana Jones: Espionage Escapades
Art Direction
Sixteen-year-old Indiana Jones joins an international trio of spies plotting against their German counterparts in the neutral city of Barcelona. Then later the same year, Indiana is reassigned to Prague where he is to receive an important phone call.
The Jackal
Art Direction
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
Twelfth Night
Supervising Art Director
Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.
Loch Ness
Art Direction
Dr. Dempsey is an American scientist who has become a skeptic. He isn't enthusiastic to be sent by his employer to Scotland to (dis)prove the existence of the Loch Ness monster. He finds the locals stubborn, 'primitive' and all but hospitable, not in the least because the Nessie legend is the only tourist attraction. He still gets romantically attracted by his independent inn-keeper Laura, and both her kid and his local assistant end up making him face a small family of Nessie-dinosaurs, but is this to be made public?
The Adventures of Young Indiana Jones: Travels with Father
Production Design
In the fourth film in the series, in 1910's Russia, a few acts of clumsiness puts Indy at odds with his father who is greatly displeased with Indy. Indy runs away into the Russian countryside and wakes in the morning on a haystack. He encounters colorful Gypsies, fierce Imperial Cossack troops, and an odd, cantankerous old man named Leo Tolstoy, who is in full agreement that "hell" is other people. Later, in Greece, Indy meets Nikos Kazantzakis, the writer who would some day write Zorba the Greek.
The Adventures of Young Indiana Jones: Attack of the Hawkmen
Production Design
In the twelfth film in the series, in 1917, Indiana Jones transfers from the Belgian army to the French intelligence service, where his first assignment is as a reconnaissance photographer for the 124th Squadron, a group of volunteer American pilots in the French army. When his plane is shot down, Indy encounters the infamous "Red Baron," Manfred von Richthofen. After a daring escape, Indy is parachuted back into Germany on a mission to convince aircraft designer Anthony Fokker to defect to France, and he discovers a new German superweapon - a new airplane intended to bring the war overseas.
The Adventures of Young Indiana Jones: Treasure of the Peacock's Eye
Production Design
In the eighteenth film in the series, in late 1918, the Great War may have ended, but a new adventure begins for Indy when a mysterious man's dying words send him and Remy on a thrilling treasure hunt for one of Alexander the Great's most treasured possessions. Pursued by a dangerous one-eyed man, Indy follows the trail of the diamond from London to Alexandria to the South Seas where he has a run-ins with murderous Chinese pirates, is captured by savage headhunters, and meets anthropologist Bronislaw Malinowski.
The Adventures of Young Indiana Jones: Hollywood Follies
Production Design
In the twenty-second and final film in the series, in 1920's Hollywood, Indy is working as assistant to Hollywood movie mogul Carl Laemmle, who charges him to get notoriously megalomaniacal director Erich Von Stroheim to complete his latest epic on time and on budget... or else!
The Adventures of Young Indiana Jones: The Phantom Train of Doom
Art Direction
In the tenth film in the series, in November 1916, Indiana Jones and Remy Baudouin have managed to get a transfer from the European trenches to the plains of Africa. On arrival they both receive a promotion to the rank of lieutenant in the Belgian Army. When they take the wrong train they end up in Moshi. Desperate to join their unit in Lake Victoria, the two men bump into the 25th Royal Fusiliers, a unit of cranky old men led by Indy's old acquaintance Frederick Selous. Indy's passing knowledge of trains and fluent German comes in handy for the Fusiliers, who are about to go on a mission to find and destroy a Phantom Train that carries an enormous German artillery gun.
Edward II
Art Direction
England, 14th century. King Edward II falls in love with Piers Gaveston, a young man of humble origins, whom he honors with favors and titles of nobility. The cold and jealous Queen Isabella conspires with the evil Mortimer to get rid of Gaveston, overthrow her husband and take power…
Nightbreed
Art Direction
A troubled young man is drawn to a mythical place called Midian where a variety of monsters are hiding from humanity.