Fred Schepisi
Birth : 1939-12-26, Melbourne, Victoria, Australia
History
From Wikipedia, the free encyclopedia.
Fred Schepisi AO (born 26 December 1939) is an Australian film director and screenwriter. His credits include: Last Orders, Roxanne, Plenty, and Six Degrees of Separation.
Schepisi was born Frederic Alan Schepisi in Melbourne, Victoria, the son of fruit dealer Frederic Thomas Schepisi and Loretto Ellen (née Hare). He began his career in advertising and directed both commercials and documentaries before helming his first feature film, The Devil's Playground, in 1976.
Schepisi won the Australian Film Institute Award for Best Direction and the Australian Film Institute Award for Best Screenplay for both The Devil's Playground and Evil Angels (released in the US as A Cry in the Dark).
In 1991, his film The Russia House was nominated for the Golden Bear at the 41st Berlin International Film Festival.
In 2005 Schepisi directed and co-produced the HBO miniseries Empire Falls, for which he was nominated for the Emmy Award for Outstanding Directing for a Miniseries, Movie or Dramatic Special and the Directors Guild of America Award for Best Director of a TV Film.
In April 2008 it was announced Film Finance Corporation Australia was providing funding for Schepisi's film The Last Man, about the final days of the Vietnam War. It is scheduled to begin filming in Queensland, with Guy Pearce and David Wenham in leading roles, towards the end of the year.
Schepisi has also directed a number of music videos, including for the 2008 song "Breathe" by Kaz James featuring Stu Stone.
Asked about the "gypsy-like existence" of a filmmaker, Schepisi has said: "It’s the hardest thing. I think we’re today’s circus people. It’s very hard on your family. [His wife] Mary travels with me and when everyone was younger and it was possible, I liked them to travel with me and be with me. Fortunately, Mary’s an artist; she paints, and often finds inspiration from our locations."
Description above from the Wikipedia article Fred Schepisi, licensed under CC-BY-SA, full list of contributors on Wikipedia
Himself
With credits including Strictly Ballroom, Muriel’s Wedding, The Dish, Moulin Rouge!, Romeo + Juliet and Road to Perdition Jill Bilcock is regarded as one the world’s great film editors. Axel Grigor’s hugely entertaining documentary traces Bilcock’s journey from Melbourne film student in the 1960s to working as an extra in Bollywood movies and learning her craft when Australia had virtually no feature film industry. Bilcock’s cheeky charm and illuminating appearances by key collaborators make this a must-see for film lovers.
Self
Australian film editor Jill Bilcock is one of the world's most sought after film editors, having edited beloved films such as STRICTLY BALLROOM, ROMEO+JULIET, MURIEL’S WEDDING, ELIZABETH, MOULIN ROUGE!, ROAD TO PERDITION and THE DRESSMAKER. This documentary looks at her craft and charts how an outspoken arts student in 1960s Melbourne became one of the world’s most acclaimed film artists. Featuring interviews with Jill and many of today's leading filmmakers and actors, such as Baz Luhrmann, Jocelyn Moorehouse, Sam Mendes, Shekhar Kapur, Fred Schepisi and Cate Blanchett.
Producer
An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.
Director
An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.
Producer
In a Sydney suburb, two nurses, Maria and Flora, a housekeeper, Lotte, and a solicitor, Arnold, attend to Elizabeth Hunter as her expatriate son Sir Basil, a famous but struggling actor in London, and daughter Dorothy, a divorced and down at heel princess, convene at her deathbed. They come to make sure they can leave Australia with their hefty inheritance.
Director
In a Sydney suburb, two nurses, Maria and Flora, a housekeeper, Lotte, and a solicitor, Arnold, attend to Elizabeth Hunter as her expatriate son Sir Basil, a famous but struggling actor in London, and daughter Dorothy, a divorced and down at heel princess, convene at her deathbed. They come to make sure they can leave Australia with their hefty inheritance.
Self
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Director
This is the story of a dysfunctional New York family, and their attempts to reconcile
Executive Producer
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
Screenplay
Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, 'Last Orders', that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy
Director
Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, 'Last Orders', that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy
Director
Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.
Producer
Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by pretending temporarily to be a great physicist.
Director
Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by pretending temporarily to be a great physicist.
Producer
The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.
Director
The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.
Director
Jack Elliot, a one-time MVP for the New York Yankees is now on the down side of his baseball career. With a falling batting average, does he have one good year left and can the manager of the Chunichi Dragons, a Japanese Central baseball league find it in him?
Producer
Barley Scott Blair, a Lisbon-based editor of Russian literature who unexpectedly begins working for British intelligence, is commissioned to investigate the purposes of Dante, a dissident scientist trapped in the decaying Soviet Union that is crumbling under the new open-minded policies.
Director
Barley Scott Blair, a Lisbon-based editor of Russian literature who unexpectedly begins working for British intelligence, is commissioned to investigate the purposes of Dante, a dissident scientist trapped in the decaying Soviet Union that is crumbling under the new open-minded policies.
Screenplay
Based on the true story of Lindy Chamberlain who, during a family camping trip to Ayers Rock in central Australia, claimed she witnessed a dingo take her baby daughter, Azaria, from their tent. Azaria's body was never found and, after investigations and two public inquests, she is charged with murder.
Director
Based on the true story of Lindy Chamberlain who, during a family camping trip to Ayers Rock in central Australia, claimed she witnessed a dingo take her baby daughter, Azaria, from their tent. Azaria's body was never found and, after investigations and two public inquests, she is charged with murder.
Director
Based on the play 'Cyrano de Bergerac', large-nosed C.D. Bales falls for the beautiful Roxanne—while she falls for his personality but another man's looks.
Thanks
The place is Melbourne, Australia 1978. The punk phenomenon is sweeping the country and Dogs In Space, a punk group, are part of it. In a squat, in a dodgy suburb, live a ragtag collection of outcasts and don't-wanna-be's who survive on a diet of old TV space films, drugs and good music. And the satellite SKYLAB could crash through their roof at any moment...
Director
David Hare's account of a one-time French freedom fighter who gradually realizes that her post-war life is not meeting her expectations.
Director
A team of Arctic researchers find a 40,000 year-old man frozen in ice and bring him back to life. Anthropologist Dr. Stanley Shephard wants to befriend the Iceman and learn about the man's past while Dr. Diane Brady and her surgical team want to discover the secret that will allow man to live in a frozen state.
Director
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
Producer
The true story of a part aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.
Screenplay
The true story of a part aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.
Director
The true story of a part aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.
Producer
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
Writer
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
Director
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
Director
Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.
Director
An advertising film with a difference: Into a strange computerised future where women “run things” by controlling huge colourful computers that go bleep booble bob bob ping etc, comes Yockoo, the boy from the bush, with his satchel of dried fruits. Slowly the women overcome their cold, futuristic ways in light of Yockoo’s size, shape and overall manliness. Eventually they unearth their deep feminine sexuality and cook Yockoo a feast of dried fruit dishes using cooking utensils from their local museum.
