Gu Changwei

Love stories of students in a re-preparing school for college entrance exams.

Love stories of students in a re-preparing school for college entrance exams.

Love stories of students in a re-preparing school for college entrance exams.

Love stories of students in a re-preparing school for college entrance exams.

A loser deep in debt tries to use his girlfriend to seduce a rich boss for money.

Romance gets complicated in modern-day Beijing.

An account of the many tribulations that Chinese artist Ai Weiwei, known for his subversive art and political activism, endured between 2008 and 2011, from his rise to world fame via the Internet to his highly publicized arrest due to his frequent and daring confrontations with the Chinese authorities.

A collection of shorts by four East Asian directors: Ann Hui on a male-to-female sex change, Kim Tae-yong on an emotional imposture, Gu Changwei on pregnancy in China and Tsai Ming-Liang on time and the city of Hong Kong.

Set in a small Chinese village where HIV virus is spreading rapidly as a result of illicit blood trade, Mo shu wai zhuan revolves around De Yi and Qinqin are both estranged from their respective family because of their disease and unexpectedly find love with each other by their misfortunes.

Set in a small Chinese village where HIV virus is spreading rapidly as a result of illicit blood trade, Mo shu wai zhuan revolves around De Yi and Qinqin are both estranged from their respective family because of their disease and unexpectedly find love with each other by their misfortunes.

Set in a small Chinese village where HIV virus is spreading rapidly as a result of illicit blood trade, Mo shu wai zhuan revolves around De Yi and Qinqin are both estranged from their respective family because of their disease and unexpectedly find love with each other by their misfortunes.

Set in a small Chinese village where HIV virus is spreading rapidly as a result of illicit blood trade, Mo shu wai zhuan revolves around De Yi and Qinqin are both estranged from their respective family because of their disease and unexpectedly find love with each other by their misfortunes.

Zhao Liang’s film portrays AIDS sufferers of both genders; they are all people with very different biographies. As if it wasn’t bad enough being infected by HIV, their suffering is compounded by the fact that in the People’s Republic of China the disease is hushed up and people living with AIDS are ostracised. In China, the public at large knows very little about the disease and most people associate the virus with promiscuity. This fear of discrimination forces most patients to hide the fact that they are positive. The AIDS sufferers in Zhao Liang’s film were willing to share their experiences with him. The filmmaker was able to make contact with them via internet support groups; he also visited children with Aids at a ‘red ribbon’ school; but above all, he talked to AIDS sufferers during the making of Gu Changwei’s film. It is their presence which lends Changwei’s film its particular authenticity.

In a grimy provincial industrial city, a talented but unattractive schoolteacher dreams of an operatic career.

In a grimy provincial industrial city, a talented but unattractive schoolteacher dreams of an operatic career.

Brings viewers into a small Chinese city and inspires familiarity with the rhythms of everyday existence, with people's dreams, shortcomings and illusions in a way that is universal.

Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.

During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time they will be collected. The village leaders convene to interrogate the prisoners. The townspeople then struggle to accommodate the prisoners. One is a bellicose Japanese nationalist, the other a nervous translator. Will the townspeople manage to keep the prisoners until the New Year?

A documentary about Li Yang, who tries to teach large numbers of Chinese to speak English, using unusual methods. He holds motivational rallies, where he gets the crowd to shout out English phrases, in order to instill confidence, and tells them not to be afraid of losing face. His goal is to increase Chinese trade, and export Chinese culture, to the main world markets: North America, Japan, and Europe. After the rally, they can continue their English lessons using his taped courses.

Hollywood movers and shakers dissect their own personal lives when everything seems to clash together.

Savannah lawyer Rick Magruder is at a party celebrating his courtroom victory defending a cop killer when a member of the catering staff, Mallory Doss, discovers her car has been stolen. Having had a few drinks, Magruder offers to give her a lift home, a decision that turns into a one night stand. Rick soon learns that her nut-case father, Dixon, seems to have begun threatening her again. Rick puts the force of his law firm behind Mallory, who he barely knows, has Dixon picked up by the police, and subpoenas the girl's belligerent ex-husband, Pete, to testify against the old man. Dixon is put away in an asylum. However, he soon escapes, putting the lives of everyone who conspired against him in jeopardy.

Beijing, 1970s. The Cultural Revolution has driven most adults to the provinces leaving 14-year-old Monkey and his pals have free reign over the city. They hang around, get up to no good, and discover that unsolvable mystery known as "girls."

Abandoned by his prostitute mother in 1920, Douzi was raised by a theater troupe. There he meets Shitou and over the following years the two develop an act entitled "Farewell My Concubine" that brings them fame and fortune. When Shitou marries Juxian, Douzi becomes jealous, the beginnings of the acting duo's explosive breakup and tragic fall take root.

Two blind men pursue ephemeral and unlikely hopes. One is an aged master, a wandering troubador venerated as a saint, in physical decline, waiting to break his 1,000th banjo string, an event his own master promised years before would bring him sight. The other is his apprentice, Shidou, who longs for a woman's love and is enchanted with the radiant and spirited Lanxiu. The two men are encamped outside Lanxiu's village, the saint using his energy and voice to bring peace between warring factions. Does sight await the saint when the 1000th string breaks? Can Shidou's strength of character overcome provincial prejudice to win the hand of Lanxiu and a place in the village?

A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without revealing his parentage in this circular tragedy. Filmed in glowing technicolour, this tale of romantic and familial love in the face of unbreakable tradition is more universal than its setting.

A commercial airliner on a routine flight between Taipei and Seoul is hijacked and taken to mainland China by the Taiwan Revolutionary Army Front. Chinese authorities cannot seize the plane because of the presence of an important business figure on board, but agree to cooperate with Taiwanese authorities to defuse the tense situation.

An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.

During the Cultural Revolution, an unschooled young man is labouring in the countryside when he is suddenly assigned to teach in a near-by village school. Gradually, he finds the confidence to ditch the Maoist textbook and encourage the barely literate kids to write about their own lives and feelings. At the same time, through a series of dream-like meetings with a young cowherd, he begins to sense the possibilities of a life beyond the parameters of traditional education.

During the Cultural Revolution, an unschooled young man is labouring in the countryside when he is suddenly assigned to teach in a near-by village school. Gradually, he finds the confidence to ditch the Maoist textbook and encourage the barely literate kids to write about their own lives and feelings. At the same time, through a series of dream-like meetings with a young cowherd, he begins to sense the possibilities of a life beyond the parameters of traditional education.

Magic Braid filmed the novel by Feng Tszitsaya (1942). The film tells about a rustic merchant soy bad Second owning family style battle scythe, which, due to circumstances became embroiled in a conflict with the underworld Tianjin.

"At he beach" - A hidden masterpiece: one part rural elegy, one part urban romance, forged together in an editing tour de force. Rarely screened in China or outside, this story of a fisherman’s daughter caught between factory work and feudal forced marriage is simply astonishing.

A friendship story between a stuttering and rebellious teenager and his mentally ill uncle.