Annie Collins

A school teacher is forced to confront a brutal act from his past when a pair of ruthless drifters takes him and his family on a nightmare road-trip.

Isabelle feels left behind as her teenaged older sister Tiana grows up, leading to a moment of betrayal that threatens to shatter their relationship forever.

On the cusp of adulthood, the world's longest running gay short film series is only getting started. Boys On Film 20: Heaven Can Wait includes eleven complete films: Bassem Ben Brahim's animated "Chromophobia"… Jimi Vall Peterson's "Sleepover" starring Hjalmar Hardestam and Simon Eriksson… Mickey Jones's "Just Me" starring Philip Olivier and Carl Loughlin… Matthew Jacobs Morgan's "Mine" starring Joshua McGuire and John Macmillan… Dale John Allen's "Don't Blame Jack" starring Jordan Tweddle and Kane Surry… Timothy Ryan Hickernell's "Foreign Lovers" co-starring Lucio Nieto… Layke Anderson's "Mankind" starring Ricky Nixon and Alexis Gregory… Christopher Manning's "Isha" starring Horia Săvescu and Dario Coates… Jay Russell's "ruok" starring Peter Mark Kendall, Zachary Booth, and Sydney James Harcourt… Chintis Lundgren's animated "Manivald"… and Zoe McIntosh's "The World In Your Window" starring Joe Folau and David Lolofakangalo Rounds.

A documentary portrait of the pioneering indigenous filmmaker and activist Merata Mita and an intimate tribute from a son about his mother that delves into the life of the first woman from an Indigenous Nation to solely direct a film anywhere in the world. Known as the grandmother of Indigenous cinema, Merata’s independent political documentaries of the 1970s and 80s highlighted injustices for Māori people and often divided the country. Mita was fearless in her life, her activism and her art. Chronicling the director’s journey to decolonize the film and television screens of New Zealand and the world, the film documents her work, her early struggles with her family and her drive for social justice that often proved personally dangerous.

A pregnant woman must fight for her life when she becomes the victim of a violent initiation.

Eight-year-old Jesse lives in a twilight world of sadness and silence, squeezed into a tiny caravan with his grief stricken father. They're in limbo, existing more than living. The child intuitively understands that looking forward is harder than looking back, and that's where life happens. But they are stuck, until an accidental friendship with a V8 driving transsexual unlocks the means for Jesse to liberate his father and himself.

When an ancient Native American spirit lost in an in-between world is seen by pizza worker Ivan he attempts to get a message across. But Ivan isn’t interested, he is on a one-week trial in this busy New York City pizzeria and cannot afford to lose the job. But some ghosts cannot rest until they are heard. Mannahatta-a compelling and at times humorous black & white film about peace & understanding.

Two first-time single mothers - on a girl racer, the other a pianist and gardener - share a post-natal ward room after the birth of their babies and develop a precarious friendship. As they face the challenges of new motherhood, they must confront their pasts and face the truth about their babies' fathers.

One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.

Sister Loyola is one of the liveliest nonagenarians you could ever meet. As the main gardener at the Home of Compassion in Island Bay, Wellington, her daily tasks include heavy lifting alongside vigorous spade and wheelbarrow work, which she sometimes performs on crutches. Loyola and the other Sisters of Compassion follow the vision of Mother Aubert to ‘meet the needs of the oppressed and powerless in their communities’.

A boy witnesses the seemingly magic powers of his Aunties and the continuation of tradition.

Saving Grace - Te Whakarauora Tangata is the final work of director Merata Mita, who passed away suddenly before the film could be completed. The film addresses some of the deepest and most distressing issues Māori communities face, and shows how extraordinary creative solutions are being provided by Māori communities themselves. Mita asks Maori men to front up to some grim realities by talking openly and honestly about the violence and abuse that has plagued their communities for many years. The film is a personal response to this violence, with Mita making a case for a return to an older model of Maori manhood, when men were the ones who sweetly sang the children to sleep. “Merata intended the documentary to count in ways that mattered deeply to her and to change perceptions of abuse and violence by using themes of responsibility, redemption, revitalisation, forgiveness and, most of all, love.” - Carol Hirschfeld, Māori Television.

A giant working man doing the natural wonders of New Zealand is doing his final day at work, but the Maori tribe are not impressed after finding him filling up the water in a lake.

Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.

Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.

This dark comedy is set in Dunedin, New Zealand. A university student finds an old "abandoned" house and proceeds to invite other students to share. It even has running electricity. But what is the catch?

Fifty years in the making, this extraordinary reconstruction of a never-completed 1940 documentary captures the construction of seven massive traditional war canoes by Maori tribespeople in anticipation of New Zealand's centenary celebrations.

Fifty years in the making, this extraordinary reconstruction of a never-completed 1940 documentary captures the construction of seven massive traditional war canoes by Maori tribespeople in anticipation of New Zealand's centenary celebrations.

Indigenous farmers in Peru, Nicaragua, Italy, France, Australia and New Zealand share their intimacy with the land and the seeds they have nurtured for generations; global corporations attempt to 'own' the intellectual property of seeds.

In 1981, the New Zealand government invited the South African rugby team to tour New Zealand. This effectively split the country in half. Patu! is the story of the protest movement, HART (halt all racist tours). This documentary shows footage of protester meetings, rugby games and various beatings meted out to protesters from police.

Keskidee, a small Jamaican bird resilient in the face of hardship, is also the name of a self-help black arts centre in London, and the theatre group who work there. Keskidee's actors and musicians were brought to New Zealand to work with communities who face similar day-to-day dilemmas and who might be encouraged to express their frustrations and anger in drama, poetry and music. Keskidee were to act as a catalyst. the film shows some of their work and their response to the people they met. Tribal elders try to show keskidee the depth of Maori roots in the land, and the complexity and pain of their present struggles: against the loss of Aroha; against the laws of pen and paper; the alienation of their land; the suppression of their language; the devaluation of their people and culture.

A documentary following the attempt by three young people to be the first windsurfers to cross Cook Strait.

Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.