Diego Prestopino

A drama set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.

Puglia. Burnt by the sun and by hatred, the promontory of Gargano is contested by criminals who seem to come from a remote past governed by the law of the jungle. An archaic land reminiscent of the Far West, in which blood is washed away with blood. An old feud between two rival families is rekindled by a forbidden love: the one between Andrea, reluctant heir of the Malatesta, and Marilena, beautiful wife of the boss of the Camporeale clan. A fatal passion that sets the two clans at war again. But Marilena, banished by the Camporeale and prisoner of the Malatesta, disputed and abused, will oppose a fate already written with a mother’s strength.

Italy, after the promulgation of the racial laws (1938). Luciano, a Fascist-abiding restaurateur, nonetheless believes he can still live by his own rules inside his business. However, everything changes when Anna, a girl with a dangerous secret, starts to work at his restaurant.

Giorgio is a young talented boxer who lives with his mother and dreams to became a champion.

Four circus freaks with superpowers find themselves trapped in Nazi-occupied Rome after their owner and father figure goes missing in the aftermath of the 1943 surrender of Italy to the Allies.

Vera, a ten-year-old girl who loves astronomy, disappears without a trace while walking with Claudio, her teacher, near the cliff of Punta Crena, in Liguria. Two years later she returns, but instead of being a teenager, she is a woman of about twenty-five years old. She doesn’t remember anything. When images resurface in her memory, Vera realizes that she has lived the life of a man, clinically dead, who woke up at the same moment in which she vanished in nothing.

In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist, a feminist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

The Queen of Selvascura risks everything to be a mother; the King of Roccaforte falls in love with the voice of a mysterious girl; the King of Altomonte becomes obsessed with a flea and neglects his daughter.

Five searches for love unfold in interconnected stories in which fathers, daughters and male suitors try to perfect love matches based on astrology.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

A climax of brutality and violence after a young man hits some cars in a rush.