Stephen Wight

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, where a peaceful pro-democracy rally at St Peter’s Field in Manchester turned into one of the bloodiest and most notorious episodes in British history. The massacre saw British government forces charge into a crowd of over 60,000 that had gathered to demand political reforms and protest against rising levels of poverty.

Stuck in a rut with his distracted girlfriend, J.D. decides one night to break out of his routine, only to find there may be more than one version of himself out there, trying perhaps to steer him back into his rut.

Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker

One-time hard man Frank Barron is barely recognisable now he’s been afflicted with Alzheimer's, but when his estranged son Jamie visits him in hospital he realises the extra stress Frank is put under and decides to break him out in the hope of returning him to his family. As the two travel across the country, beginning to bond along the way, it soon transpires that both Frank and Jamie are at odds with their past.

The exploits of two friends who make the move from partying at illegal warehouse raves to becoming successful promoters at the peak of the Manchester, Amsterdam, and Ibiza rave scene in the early 90s.

An aging actor finally secures the audition of a lifetime. But just how badly does he want the role?

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

The world is falling into chaos. As he roams a crumbling city, Duncan MacLeod, the Highlander, remembers happier times before the love of his life left... Hopeless and alone, MacLeod finds his way to a band of immortal companions, including his mysterious friend Methos, and a mortal, Watcher Joe Dawson. Together this small group sets out on a quest to find the origin of the first Immortal.

Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they must fight for survival.