Jean-Yves Le Mener

Movies

The Best Job in the World
Director of Photography
To be closer to his children following his divorce, Laurent Monier, a history and geography teacher in a peaceful provincial high school, accepts a position in a sensitive college in the Paris suburbs. He is assigned the hardest class, the fourth techno, and he finds an apartment in the Cité des Muriers, a particularly difficult district.
Lumière and Company
Director of Photography
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Guardian Angels
Director of Photography
A sleazy Paris nightclub owner and ex-detective flies to Hong Kong to rescue the young son of a friend murdered by the Chinese mob.
Neuf mois
Cinematography
Samuel est psychanalyste. Toute la journée, il voit des patients exprimer des griefs, en particulier des adolescents rebelles qui méprisent leurs parents. Cette situation l'a conduit à voir d'un mauvais œil l'idée de sa paternité. C'est alors que sa compagne Mathilde lui annonce qu'elle est enceinte. Terrifié par l'idée, Samuel vit les neuf mois de grossesse de Mathilde plutôt comme un cauchemar, et les conseils de son ami Marc, homme à femmes mais célibataire endurci, n'arrangent rien à son angoisse. De leur côté, Georges et Dominique, la sœur de Marc, déjà parents de trois filles, affrontent sans inquiétude la quatrième grossesse de Dominique. L'expérience des uns va finalement avoir raison des appréhensions des autres, et entre les deux couples vont se tisser de solides nœuds d'amitié.
The Visitors
Director of Photography
This outrageous time-travel comedy follows the misadventures of a wacky medieval knight (Jean Reno) and his faithful servant when they are accidentally transported to contemporary times by a senile sorcerer. Mayhem rules as these 12th-century visitors try adapting to the wildly confusing modern world. To avoid being stuck here for good, however, they soon begin an all-out cosmic assault on their former castle -- now a luxury hotel -- in their quest to return to the past.
Stranger in the House
Director of Photography
Since the suicide of his wife, Jacques Loursat has gone downhill. Estranged from his daughter, his lawyer's pratice in ruins, he consoles himself with drink. One night he is woken by a gunshot and catches sight of a young man fleeing the house. Isabelle, his daughter, claims to know nothing about it, even when he finds the body of a young man. Isabelle hangs around with a gang of spoiled young people who have no shortage of money, and is in love with Joel, an ambitious boy involved in drug dealing. Antoine, from a more modest background, is in love with her. When the police start investigating Joel's murder, Antoine becomes the ideal suspect.
The Beautiful Story
Director of Photography
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
The Fatal Image
Director of Photography
A woman and her daughter vacationing in Paris get caught up in intrigue after being witnesses to a murder.
There Were Days... and Moons
Director of Photography
How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.
Try This One for Size
Director of Photography
The story (based on a novel by James Hadley Chase) concerns the efforts of the genial and deceptively tentative Lepski (Michael Brandon), an insurance company detective, to track down a valuable medieval Russian icon, which was stolen by Bradley (David Carradine), a master thief.
Itinerary of a Spoiled Child
Director of Photography
A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.
Bandits
Cinematography
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
A Man and a Woman: 20 Years Later
Director of Photography
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
The Imprint of Giants
Assistant Camera
The life of workers and their families in a construction site of a highway in 1965.