A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.
A free and imaginary portrait of Piero Ciampi (1934-1980), singer-songwriter and poet from Livorno, which takes its name from one of his last texts. Through the evocation of illusory spaces, real places, interventions of those who were his friends and knew him, we proceed by flashes and suggestions to the staging of an artistic parable, nourished by tumultuous love, contempt for life, alcohol and genius, which has left an indelible mark in the history of songwriting.
Edoardo meets and immediately falls in love for Edith. They soon decide to marry. During the wedding Edoardo knows Anna, Edith's best friend and wife of her brother. This last is a fake marriage since Sacha is homosexual. Incredibly Edoardo loses his mind for Anna, and they become soon lovers. The two couples spend time together in Venezia. Edoardo is continuously shared between Edith and Anna. But this won't take long.
A couple meet during the Carnival in Ivrea (a little town in northern Italy), feel drawn to each other and have a torrid affair destined not to last long.
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
