Eléni Karaḯndrou

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.

Nenad, ten years Christian boy from a Serbian enclave, determined to create a proper community burial for his late grandfather, crosses enemy lines and makes friends among the Muslim majority in deeply divided, war-torn Kosovo.

Heartbreak affects us all. Oscar-nominated director Christian Frei teams with famed anthropologist Helen Fisher to examine the power and resilience of love despite it all.

Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.

What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.

On the way through a world of sounds and noise – with Manfred Eicher, the oustanding discoverer and mediator of contemporary music and founder of the music label ECM. On this journey we are meeting musicians and composers, but also people and places which are connected with him and with each other. We are encountering stories, landscapes, cities, disputes and hugs, tranquillity, hectic pace, work, self-doubt, joy, passion.

On the way through a world of sounds and noise – with Manfred Eicher, the oustanding discoverer and mediator of contemporary music and founder of the music label ECM. On this journey we are meeting musicians and composers, but also people and places which are connected with him and with each other. We are encountering stories, landscapes, cities, disputes and hugs, tranquillity, hectic pace, work, self-doubt, joy, passion.

A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Two Greek refugees fall in love, but their relationship is devastated by dictatorship and war.

Mousikh Synaulia Eleni Karaindrou stis Prespes

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Documentary that recounts the ups and downs of the shooting of Eternity and a Day (1998), focusing on the exhaustive preparation of the shot-sequence that closes the film, and the peculiar way in which Theo Angelopoulos works with his technical team and actors.

Documentary that recounts the ups and downs of the shooting of Eternity and a Day (1998), focusing on the exhaustive preparation of the shot-sequence that closes the film, and the peculiar way in which Theo Angelopoulos works with his technical team and actors.

An ailing Greek man attempts to take a young, illegal Albanian immigrant home.

"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?

A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.

Serious, logical Martha (Barbara Sukowa) and dreamy, superstitious Anna (Stefania Sandrelli) have been best friends. That is, until Martha's lover Victor (Sami Frey) decides he'd rather be Anna's lover. Mortified, Martha flees to Africa, leaving the field clear for her ex-friend. When Anna comes down with cancer, she pleads with Victor to get her to come back and somehow put this rupture in their friendship behind them. Curiously, Martha does come back, and after some understandable tension and a few bitter words, they manage to reestablish their friendship, though it is now on a different basis.

Two children search for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.

Feeling himself an outsider in contemporary Greece, a schoolteacher Spyros leaves his job and family to return to his hometown, where he intends to take up the occupation of his ancestors as a beekeeper. Over the course of his road trip he visits the sites and friends of his childhood, hoping to gather the pollen of his past, but instead meets and becomes obsessed with a young hitchhiker who represents the empty hedonism of the present.

Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.

A young man, Kostas, together with two friends, sets for a journey on a sailboat, looking for something precious that his father hid on one of the Aegean islands during the years of Greek Resistance and Civil War.

An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.

The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis) wants to marry her eldest daughter (Anny Loulou) and take advantage of the family's meager earnings. He kidnaps the not-unwilling girl, and argues with her mother about the dowry. But the girl refuses to marry him when she wakes up to the fact that he is only looking out for his own interests. She then decides to start working in order to earn money to raise the child she is expecting. The film is an adaptation of the novel 'For Honor and Money' by Konstantinos Theotokis.

Greek drama

A lawyer, offspring of a bourgeois family of Greek-Egyptians, tries to find the traces of a relative of his. Through a rich tapestry of characters, Christofis creates an ode to the Hellenic Diaspora.

This film narrates six different stories in a very lyrical way: a coachman wanders around town; two elderly people go to the park every Sunday; a man leaves flowers in various neighbourhoods in memory of a friend who was killed during the war; a boy narrates how they celebrated his father’s name-day; a member of the resistance lives his last moments; a woman keeps waiting for a letter which never arrives. (Greek Film Archive)

A dramatization of several episodes in the life of Christ.

Theo Angelopoulos: A Lifework in Film