Cinematography
Oil and Sand was an extravagant film made by members of the Egyptian royal family and a few friends and relatives in 1952 about a coup d'état, shot just weeks before the royals were overthrown in a real coup. The completed Technicolor film was destroyed by the director in fear that it would be used as propaganda against the ousted monarchy. Following Mahmoud Sabit, the man who found the original 8mm reels and who is himself a relation of the late king of Egypt, this documentary focuses on the reconstruction of the film's story, its array of real life players, and the political circumstances surrounding the shoot. This uncanny marriage of fiction and reality reveals that the original film not only managed to unwittingly predict the fate of the King, but also foresaw the next 60 years of relations between Egypt and the West.
Additional Photography
Out-of-control, trash-talking buddy cops Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force reunite, and bullets fly, cars crash and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Marcus discovers that playboy Mike is secretly romancing Marcus’ sexy sister.
Cinematography
Before he impressed the literary world with his books, author Paul Bowles was a music composer, collaborating with the likes of Aaron Copland and Virgil Thomson. Performed here by the Eos Orchestra, Bowles's music melds with images by filmmakers Rudy Burckhardt and Nathaniel Dorsky, and, alongside interviews conducted in Tangiers, gives viewers a glimpse of true genius.
Second Unit Director of Photography
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Additional Photography
Following an unexpected tragedy, a child psychologist named Malcolm Crowe meets an nine year old boy named Cole Sear, who is hiding a dark secret.
Camera Operator
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
"B" Camera Operator
When Quinn, a grouchy pilot living the good life in the South Pacific, agrees to transfer a savvy fashion editor, Robin, to Tahiti, he ends up stranded on a deserted island with her after their plane crashes. The pair avoid each other at first, until they're forced to team up to escape from the island -- and some pirates who want their heads.
Camera Operator
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent Kay and new recruit Agent Jay find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Cinematography
A cowpoke buys Billy the Kid's horse and, upon riding it, becomes an incorrigible outlaw himself.
Director of Photography
The sultry Midnight, late-night horror movie hostess, has the highest rated show on TV. Mr. B is scheming to steal the rights to the show. The tug of war begins and soon escalates into a deadly conflict. will Midnight have to get a day job and change her name to High Noon?
Cinematography
In this parody of the Rocky films, Ricky Wanero is a male gigolo and stripper who sets out to beat "The Champ" in the boxing ring.
Cinematography
A killer of Detroit clergy confesses to a priest, who turns sleuth because he cannot tell the police.
Director of Photography
Lesbian porn star Sharon Mitchell and her girlfriend, Tigr, navigate the ups and downs of being in love while working in the sex industry.
Director of Photography
Young Jason Stillwell moves with his parents to Seattle, where local bullies harass them without mercy. Jason's father Tom does not believe in violence, so the family takes it on the chin. One day Jason enrolls in a martial arts class and quietly rises in rank to be a major contender. His mettle is tested in an international match against Ivan, a Russian champion.
Director of Photography
A van full of college students traveling down a highway is terrorized by a psycho killer in a Richard Nixon mask.
Writer
Teenage girls are kidnapped and brought to a remote island, which is inhabited by a family of crazed killers.
Director of Photography
After he transfers to a new school, Hadley is victimized and ostracized by his too-cool classmates. To prove his worth, our hero takes up wrestling, and before long he’s the school champ, thanks to the input of coach Ball, a washed-up alcoholic who finds redemption through Hadley’s example.
First Assistant Camera
A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.
The Driver
In 1692 in Salem, Massachusetts, young Ann Putnam accuses several residents of being witches, and they are tried and put to death. In 1980, young Loreen Graham is on a school outing to the Salem Witch Museum when a wax figure of a man from 1692 comes to life and accosts her. It seems that she may be the reincarnation of Ann, who has accused the man's 5-year-old girl of witchcraft and the girl is scheduled to be burned at the stake. Loreen must fight being possessed by Ann Putnam and confront the evil minister from 1692 who is consorting with Ann to falsely accuse people of witchcraft.
Production Assistant
A young girl chronicles her divorced mother's relationship with a new boyfriend who has just moved into the house.