Peter Kern

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Vienna's high society parties with sex, drugs, alcohol and young models. Hanna von Stezewitz stands in the center of it all. She's young, attractive and rich, head of a corporate group and one of Vienna's most important financers.

Vienna's high society parties with sex, drugs, alcohol and young models. Hanna von Stezewitz stands in the center of it all. She's young, attractive and rich, head of a corporate group and one of Vienna's most important financers.

Drama about a sick child and an old actress.

Drama about a sick child and an old actress.

After the death of his parents Hans, 16, provides for his four brothers and his grandmother. He works as a courier for his uncle, who sells counterfeit diamonds to wealthy clients with plenty of illicit funds. Hans fights like Robin Hood against the establishment and the greed of the rich, and for justice for the poor.

When 82-year-old Mary takes her 63-year-old disabled son on a houseboat vacation on Lake Lychen in Brandenburg, things quickly go south as the boat becomes a prison, trapping them within the difficult emotional web of their relationship.

When 82-year-old Mary takes her 63-year-old disabled son on a houseboat vacation on Lake Lychen in Brandenburg, things quickly go south as the boat becomes a prison, trapping them within the difficult emotional web of their relationship.

Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.

Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.

Meet Jerry, an obsessive but frustrated director who decides to turn his back on the theatre in favour of a controversial new project. But things soon start to go wrong. As he struggles with the demands of his role as leader, he is plagued by surreal dreams conjured up by his guilty conscience. Monkey Sandwich is a portmanteau film with a captivating tangle of stories involving the search for an unborn child, a disturbing hunting trip, a haunted LP, a screaming piglet and a river gone rogue. The stories in Monkey Sandwich are urban myths or stories created with or by the actors. The film was originally part of a stage performance of the same name.

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.

After 20 years in prison, the former angel of death at Lainz hospital has been released, and she now works in the Prater amusement park, at a restaurant that specializes in roast knuckle of pork. Observing the guests and how they behave reawaken old emotions, and she poisons a pork knuckle to punish the happy people. The movie audience can use their remote control devices to decide who dies.

After 20 years in prison, the former angel of death at Lainz hospital has been released, and she now works in the Prater amusement park, at a restaurant that specializes in roast knuckle of pork. Observing the guests and how they behave reawaken old emotions, and she poisons a pork knuckle to punish the happy people. The movie audience can use their remote control devices to decide who dies.

After 20 years in prison, the former angel of death at Lainz hospital has been released, and she now works in the Prater amusement park, at a restaurant that specializes in roast knuckle of pork. Observing the guests and how they behave reawaken old emotions, and she poisons a pork knuckle to punish the happy people. The movie audience can use their remote control devices to decide who dies.

When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

Peter Kern developed his film from a critic's remark, "Please stop making films." When his alter ego, Peter Gläubiger, meets a critic he unloads all the built-up desire for revenge on her. And vice versa, she is also looking for revenge too - on meaningless art.

Peter Kern developed his film from a critic's remark, "Please stop making films." When his alter ego, Peter Gläubiger, meets a critic he unloads all the built-up desire for revenge on her. And vice versa, she is also looking for revenge too - on meaningless art.

16-year old Axel and his clique are rioting in a residential home. There he meets the 80-year old Gustav who gains interest in the young boy, as he reminds him of his lost love.

16-year old Axel and his clique are rioting in a residential home. There he meets the 80-year old Gustav who gains interest in the young boy, as he reminds him of his lost love.

Two men break out of prison and go on a killing spree.

Two men break out of prison and go on a killing spree.

A documentary about dog therapists in a Zurich nursing home.

A documentary about dog therapists in a Zurich nursing home.

Two men break out of prison and go on a killing spree.

Two men break out of prison and go on a killing spree.

Claire, Romy, Magali, Loete, and Jim are typical Brienen’s characters: their excessive lifestyle rhythmed by sex and drugs puts them in the margins of society, refusing to believe in love or any kind of happiness. Lacking a better alternative, they take a trip to Berlin to perform in their own erotic-trash show. But in Berlin, trouble only begins. Styled images of lost souls straying through the night and their humide debaucheries transport us into an universe of the abject where all moral limits are eliminated by the character’s insatiable bulimia.

The emotional death of an oversexed society. No one helps anybody else. But then, shortly before Basti attempts to commit suicide, before he jumps from Vienna's Reichsbrücke into the notoriously gluttonous Danube, something happens between the two young protagonists. Basti and Claudia meet on the bridge. Two bungee jumpers without a cord. They both recognize themselves in the other's life, between reform school and the family's butcher shop, between child abuse and games that involve getting tied up.

The emotional death of an oversexed society. No one helps anybody else. But then, shortly before Basti attempts to commit suicide, before he jumps from Vienna's Reichsbrücke into the notoriously gluttonous Danube, something happens between the two young protagonists. Basti and Claudia meet on the bridge. Two bungee jumpers without a cord. They both recognize themselves in the other's life, between reform school and the family's butcher shop, between child abuse and games that involve getting tied up.

The emotional death of an oversexed society. No one helps anybody else. But then, shortly before Basti attempts to commit suicide, before he jumps from Vienna's Reichsbrücke into the notoriously gluttonous Danube, something happens between the two young protagonists. Basti and Claudia meet on the bridge. Two bungee jumpers without a cord. They both recognize themselves in the other's life, between reform school and the family's butcher shop, between child abuse and games that involve getting tied up.

A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.

A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.

Samson sells a magazine on the streets of Düsseldorf called "Fifty-Fifty". Half the proceeds from each sale go to the magazine's homeless seller. It is the run-up to Christmas and his presence is far from welcome inside the posh new department store, 'Sevens', on Düsseldorf's upmarket shopping street, the "Kö".No sooner does he enter the store than he is shown the door again. Outside in the open air, the chilliest, darkest places await him. His is a fate that has become a commonplace occurrence; it is documented in this film without sentimentality or self-pity.

Former Fassbinder actor Peter Kern directed this German documentary about life in a dimly lit gay bar where aging homosexuals hang out.

Esther and Sophie are BFF! When it comes to men, they however differ fundamentally . While the career woman Esther is on uncomplicated sex and therefore experienced with her lover Winnie, Sophie is still looking for her prince charming . When she meets Chip , a PC expert , she believes to have finally found this . But then it turns out that Chip is none other than Winnie . From Esther and Sophie are suddenly bitter rivals...

Anna and Lisa, two young women, meet by chance in the vestibule of a bank, and decide after that to go on together leaving a successful trail of bank-robberies through Germany.

Docudrama about a prostitute.

Docudrama about a prostitute.

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

170 kg Vienna. This chaotic-autobiographical video treaty has only one content: the homosexuality and the weight problems of its author.

A complex and enigmatic plot that evokes the life of Bachmann. The story develops around an unusual triangular relationship, a threesome between a woman of unknown name, a man named Malina and a Hungarian, Ivan, with whom she falls in love. Ivan will be his last great love, but their need for exclusivity in love is so strong that it can not be understood or matched. Malina is a struggle, a confrontation between two worlds strange and hostile.

Axel is 14 years old, male prostitute, living in Düsseldorf. His mother drinks and her friends abuses him. He is sent to a bar to pick up customers. There he meets Karl-Heinz, and a loving relationship begins.

Axel is 14 years old, male prostitute, living in Düsseldorf. His mother drinks and her friends abuses him. He is sent to a bar to pick up customers. There he meets Karl-Heinz, and a loving relationship begins.

A decadent Cabaret in Hamburg (Germany) is near closing down. The owner decides to make a last effort to save the place: produce a male striptease show. Many candidates answer to his newspaper ad. No matter how weird were the rehearsals, the owner would have no regrets.

A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.

Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.

One of the most caustic and personal essay films ever made, Werner Schroeter's account of the 1983 Manila Film Festival, presided over by Imelda Marcos, chronicles the legacy of American and Spanish imperialism as it presents a "kaleidoscope of a ravaged country."

This film of a glitzy showbiz world by director Peter Keglevic in his first feature-length effort recounts the saga of a married torch singer whose numerous lovers are meant to steady her nerves and a saxophone player who loves her but cannot get his own act together. Singing and cinematography are pluses.

A women's prison on a tropical island is a hellhole where the inmates are raped, tortured and otherwise abused by the evil commandant and brutal guards. However, one of the guards falls in love with a beautiful inmate, and decides to help her and all the other prisoners escape.

A women's prison on a tropical island is a hellhole where the inmates are raped, tortured and otherwise abused by the evil commandant and brutal guards. However, one of the guards falls in love with a beautiful inmate, and decides to help her and all the other prisoners escape.

Reel 18 of Gérard Courant's on-going Cinematon series.

Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.

Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.

Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.

The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler.

Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.

When Peter Huber the proprietor of a Bavarian corner newsstand, wins a free trip to New York City in a magazine contest, he is overjoyed. Filled with romantic ideas from the movies, his actual encounter with the gritty realities of the Big Apple are sobering. Nonetheless, he is in for the adventure of his life. First, he meets Karola Faber, the German wife of a U.S. G.I. who has found life in the States not all it's cracked up to be: she has left her husband and makes her living through prostitution. Peter and Karola visit the local German emigré community's Oktoberfest, and win the festival's King and Queen crown. Their prize is a cow, which accompanies them on their further journeys in New York City.

Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.

The lackluster and plodding Bolweiser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.

Not porno, not underground film, not a good entertainment film, not documentary, not social criticism nor Hollywood boulevard film or horror show: rather a journey into the midst of night, a hell ride to paradise lost, into our inner self. The mystery play of a historical dance of death in the black studio of our phantasy, the ascetic “Trauerarbeit” (toils of mourning) on the end of an epoch, millions of dead. In old times one would have called it an epos, a poem, requiem, oratorio; an attempt to find a new German identity through film. And also about the heritage of Hitler in our present world, something about the infernal victory of quantitative democracy; about the calmness of melancholy and the thesis that Hitler can only be defeated with Richard Wagner.

The story follows the life of a regular German women Leni Gruyten during the 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.

Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the "happiness of truth". Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house. When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig's birthday, she doesn't shoot the duck, but shoots herself instead.

After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.

This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.

Nightclub singer La Paloma succumbs to the persistent courting of a chubby rich admirer and marries him. Before the marriage, she was thought to be dying, but soon she is well. She believes her husband's love has cured her, but her efforts to love him begin to fade as she discovers true love with her husband's old school friend.

Satire on 19th-century class relations and thinly veiled commentary on the failure of the 1968 political revolution.

The true story of Adele Spitzeder, who started her own private bank in 1870s Bavaria by promising everyone that gave her money high interest rates. Initially dubbed the "Angel of the poor", she was arrested for fraud after the whole scheme collapsed.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Zbynek Brynych's forgotten masterpiece "Oh Happy Day" is best described as coming-of-age-psychedelia.