Himself
A melancholy and affectionate look at the global obsession with movies, "TINSEL - The Lost Movie About Hollywood" was lost for 30 years and never shown publicly. An outside-in, inside-out view of the Motion Picture Industry circa 1990, it is a film about fame in general and the love of movies in particular. The film includes new footage offering perspective from the 21st century. The film examines the uncertain future the industry faces in its second century, as technology and new platforms change the movie-watching experience forever.
Screenstory
Dashing legionnaire Rick O'Connell stumbles upon the hidden ruins of Hamunaptra while in the midst of a battle to claim the area in 1920s Egypt. It has been over three thousand years since former High Priest Imhotep suffered a fate worse than death as a punishment for a forbidden love—along with a curse that guarantees eternal doom upon the world if he is ever awoken.
Executive Producer
Dashing legionnaire Rick O'Connell stumbles upon the hidden ruins of Hamunaptra while in the midst of a battle to claim the area in 1920s Egypt. It has been over three thousand years since former High Priest Imhotep suffered a fate worse than death as a punishment for a forbidden love—along with a curse that guarantees eternal doom upon the world if he is ever awoken.
Producer
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
Screenplay
Frankie McGuire, one of the IRA's deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.
Screenplay
Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.
10th Connecticut Soldier
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
Screenplay
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
Tim
A New York private eye searches for a socialite who supposedly drowned 10 years before.
Writer
After a series of vicious crimes by a renegade group of cowboys, led by "Red Jack" Stilwell, a legendary tracker, Noble Adams is pulled out of retirement to capture Stilwell, dead or alive. Reluctantly, needing more men, he allows his son, Tom to tag along, revealing to Tom a whole brutal side of ruthlessness Noble thought he left behind.
Story
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Peck
Loosely based on a section of Mikhail Lermontov's classic Russian novel of the same title, the film involves a displaced cowboy (played by Kevin Jarre, the screenwriter of Rambo), a sociopathic record producer (Dennis Hopper) and, caught between them, a gum-chewing valley girl who would rather be somewhere else (Natalie Zimmerman). Lermontov's 19th century novel leaves a vapor trail on the action, but A Hero of Our Time is more precisely a portrait of contemporary Los Angeles, a tale of wayward heroism played out against a landscape of yearning and desolation. Director/writer Michael Almereyda, whose screenplay for Wim Wenders' Until the End of the World will be produced this year, completed principal photography for A Hero of Our Time in October of 1985. Dennis Hopper's participation occurred during a break in the filming of Blue Velvet.