Lindsay Anderson
Birth : 1923-04-17, Bangalore, India
Death : 1994-08-30
History
Lindsay Gordon Anderson (17 April 1923 – 30 August 1994) was an English director and film critic, best know for his association with the Free Cinema movement and the British New Wave. He is most widely remembered for his 1968 film if...., which won the Grand Prix at Cannes Film Festival.
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Documentary featuring footage from six decades of Cannes Film Festivals.
Interviewee (archival)
A documentary about film director Lindsay Anderson, made for BBC Scotland television series "Artworks Scotland."
Himself
A profile and interview of director, Lindsay Anderson.
Self
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
Narrator
Part of the "American Masters" series; this documentary shows the career of filmmaking pioneer D.W. Griffith
presenter
A look at the famous director written and presented by Lindsay Anderson.
Writer
A look at the famous director written and presented by Lindsay Anderson.
Presenter
Documentary about the early career of Hollywood film director John Ford, written and presented by Lindsay Anderson, and first aired on the British television series Omnibus.
Writer
Documentary about the early career of Hollywood film director John Ford, written and presented by Lindsay Anderson, and first aired on the British television series Omnibus.
Writer
Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.
Director
Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.
Self
Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.
Mr. Marshall (voice)
Mike Lawton, Maurice Horton, and Melvin Orton are three men who come to Venice. One of them is a hit man sent to take out a mobster. Another is a lech looking for a little action with a woman he never met, whom he was set up with. And one of them was sent by his employer to inspect a property his boss wants to buy. All three men stay at the same hotel. But when the bellboy gets their names mixed up and gives info meant for someone else. So one of them meets a Realtor who will whatever she has to, to close the sale. And another follows a woman looking for romance. And another goes to the home of the mobster who thinks he's sent there to kill him.
War Minister
France, 1897. Colonel Georges Picquart challenges the French government when he discovers the obscure political maneuvers that led to the imprisonment of the Jewish Captain Alfred Dreyfus after being convicted of espionage in 1894.
Narrator
A film about the career and methods of the master silent comedy filmmaker.
Director
A rock singer revives a failing TV ministry, but the cost may be high when she falls for a reporter planning an exposé.
Director
Two aged sisters reflect on life and the past during a late summer day in Maine.
Director
Best known for their radio staples "Wake Me Up Before You Go-Go" and "Careless Whisper," the seminal 80s pop group Wham! (George Michael and Andrew Ridgeley) shot Wham! In China: Foreign Skies circa 1985. In the resulting film, the group performs 12 numbers, including the aforementioned hits, "Ray Of Sunshine," "Blue," and "Young Guns (Go for It!)".
Director
A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.
Director
Britannia Hospital, an esteemed English institution, is marking its gala anniversary with a visit by the Queen Mother herself. But when investigative reporter Mick Travis arrives to cover the celebration, he finds the hospital under siege by striking workers, ruthless unions, violent demonstrators, racist aristocrats, an African cannibal dictator, and sinister human experiments.
Master of Caius
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
Director
Jimmy is a self-loathing and frustrated musician who works at a candy shop. He takes out his rage on his long suffering wife and his business partner and best friend, who lives next door. Jimmy's marital problems come to a head when his wife discovers that she's pregnant and one of her friends, an actress, comes to stay with them. Based on the play, the story takes place in England in the 1950's.
Director
Composed of three shorts – Ride of the Valkyrie, The White Bus, and Red and Blue – from three of Britain’s most-celebrated directors - Lindsay Anderson, Peter Brook, and Tony Richardson. Comic legend Zero Mostel stars as an opera singer (in full costume) navigating the London transport network as he attempts to reach Covent Garden in 'Ride of the Valkyrie'. Scripted by Shelagh Delaney, 'The White Bus' blends realism, drama, and poetry as a despondent young woman travels home to the North of England. And Vanessa Redgrave stars in Tony Richardson’s romantic reverie and musical featurette 'Red and Blue'. Produced in 1967, but ultimately shelved.
Director
George and Betty, a middle-class English couple, have just moved into a big Edwardian house in London and are throwing a party to celebrate. Unfortunately, after ten days none of their furniture has arrived, having been sent to Carlisle by mistake, three of the four toilets don't work and cracks are starting to appear in the ceiling. However, nothing can dent their determination to have a good time.
Director
In a Yorkshire mining town, three educated brothers return to their blue-collar home to celebrate the 40th wedding anniversary of their parents, but dark secrets come to the fore.
Director
This sprawling, surrealist comedy serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in modern Britain.
Producer
This sprawling, surrealist comedy serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in modern Britain.
Director
This sprawling, surrealist comedy serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in modern Britain.
Director
David Storey's adaptation of his award winning play for the BBC's Play for Today series.
Narrator
A short documentary profiling male impersonator Hetty King, a star of the Edwardian music hall still performing in her 87th year. Accompanied by her sister and dresser Olive, she reminisces about her career, applies her makeup, and performs at the Royal Hippodrome, Eastbourne.
Producer
In an English boys' boarding school, social hierarchy reigns supreme and power remains in the hands of distanced and ineffectual teachers and callously vicious prefects in the Upper Sixth. But three Lower Sixth students, leader Mick Travis, Wallace and Johnny decide on a shocking course of action to redress the balance of privilege once and for all.
Director
In an English boys' boarding school, social hierarchy reigns supreme and power remains in the hands of distanced and ineffectual teachers and callously vicious prefects in the Upper Sixth. But three Lower Sixth students, leader Mick Travis, Wallace and Johnny decide on a shocking course of action to redress the balance of privilege once and for all.
Barrister
A lawyer's agonizing journey to the breaking point of his private and professional lives as he becomes more and more alienated from everyone connected with him.
Self
Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.
Narrator
BBC documentary on the long and flamboyant career of French filmmaker Abel Gance.
Director
Producer
A despondent young woman travels home to the North of England.
Director
A despondent young woman travels home to the North of England.
Man in traffic police booth (uncredited)
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
Narrator (UK)
Pro-Vietnamese film created by Dutch filmmaker Joris Ivens. This black and white film begins with an introduction by Bertrand Russell, who explains the history of the run-up to the American involvement in Vietnam. The film shows scenes of Vietnamese soldiers in trenches, American helicopters, agricultural workers, and children assembling anti-aircraft shells. A narrator speaks of the American invasion as being on par with the Germans during World War II and characterizes the Vietnamese as resistance fighters. Anti-American protests are shown. Ivens is shown interviewing Ho Chi Minh. Vietnamese villagers build dams for rice paddies, make traps using bamboo spikes, and take cover during air raids. Scenes include the headquarters of the National Liberation Front, a military execution, bombings, and villagers attempting to shoot down US bomber planes.
Director
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver.
Director
Collaborative documentary (credited to a committee rather than to individual filmmakers) detailing the CND march from London to Aldermaston at Easter 1958.
Writer
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.
Director
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.
Supervising Editor
The workaday boredom and crushing hardships of London's East End in the 1950s, seen from the point of view of two deaf-mutes who share a strong bond of friendship.
Narrator (voice)
Two farming brothers take a chance on a sick cow and send cattle that have been in contact with it to market.
Writer
Two farming brothers take a chance on a sick cow and send cattle that have been in contact with it to market.
Director
Two farming brothers take a chance on a sick cow and send cattle that have been in contact with it to market.
Screenplay
Promotional film for the NSPCC (National Society for the Prevention of Cruelty to Children).
Director
Promotional film for the NSPCC (National Society for the Prevention of Cruelty to Children).
Writer
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children.
Director
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children.
Production Manager
People quietly or campily pass the time in an overgrown garden full of statues, while a puritanical, funereal gentleman posts bills prohibiting all leisure activities.
People quietly or campily pass the time in an overgrown garden full of statues, while a puritanical, funereal gentleman posts bills prohibiting all leisure activities.
Writer
Lindsay Anderson's early documentary film of a British amusement park, the irony of its manufactured fun on full display.
Director
Lindsay Anderson's early documentary film of a British amusement park, the irony of its manufactured fun on full display.
Writer
Documentary about the production of a small town weekly newspaper from reporting to printing.
Director
Documentary about the production of a small town weekly newspaper from reporting to printing.
Narrator
Early Lindsay Anderson industrial film promoting Sutcliffe's conveyors. Three different uses of Sutcliffe's conveyor installations.
Director
Early Lindsay Anderson industrial film promoting Sutcliffe's conveyors. Three different uses of Sutcliffe's conveyor installations.
Narrator (voice)
Lindsay Anderson's first feature, a documentary about the origin and processes of the Richard Sutcliffe Limited underground-conveyor company.
Editor
Lindsay Anderson's first feature, a documentary about the origin and processes of the Richard Sutcliffe Limited underground-conveyor company.
Director
Lindsay Anderson's first feature, a documentary about the origin and processes of the Richard Sutcliffe Limited underground-conveyor company.