A father-in-law's visit makes life even more complicated for a struggling writer and his pregnant wife. Director Richard Quine's 1956 film stars Judy Holliday, Richard Conte and Salvatore Baccaloni.
Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.
Marty Pilletti is a 36-year-old butcher who lives with his mother, who is always asking him why he doesn't find a nice girl and get married. The truth is Marty is lonely and would like nothing better, but he has low self-esteem and admits to his mother that he's ugly and no one wants him. He's tired of going to the Saturday night dance with his buddies and then going home more depressed than he was when the evening started. But at one of those dances he meets Clara. They have a great deal in common but Marty will have to overcome peer pressure if he and Clara are to have a relationship.
Business mogul's son David Grant uses his father's power to extricate himself from problems - until implication in a woman's death tests David's willingness to avoid responsibility.
Gino Monetti is a ruthless Italian-American banker who is engaged in a number of criminal activities. Three of his four grown sons refuse to help their father stay out of prison after he's arrested for his questionable business practices. Three of the sons take over the business but kick their father out. Max, a lawyer, is the only son that stays loyal to his father.
Frank Warren is a treasury agent assigned to put an end to the activities of a powerful mob crime boss. Frank works undercover, posing as a criminal to seek information, but is frustrated when all he finds are terrified witnesses and corrupt police officers.
Jenny Marsh is a hard-luck dame who's just finished five years in the slammer for killing a man. Jenny's not exactly the murdering type -- she did the deed while defending her jailbird lover, Harry, which is probably one reason she's attracted the attention of her parole officer, Griff Marat. In fact, Griff is so taken with Jenny that he gets her a job caring for his ailing mother, but although Jenny tries to fly right, she's not yet over Harry.
