Branislav Brana Srdić

Movies

Paradise: A New Life
Co-Producer
After witnessing the mafa’s murder scene in Sicily, Calogero becomes a protected man and is sent to a small town in the Alps. Soon after, the killer he reported, now an informant, comes to the same town and the sleep with the enemy begins.
Awakening from the Dead
Producer
The story takes place at the beginning of the bombing, both in Belgrade and in one small town in Serbia, at the end of March 1999. Forty-year-old Mickey, an unaccomplished writer, a disillusioned assistant professor at the Faculty of Fine Arts, a discouraged democrat and a columnist, dismissed from a famous daily newspaper, emerges from his own grave and enters into his own life. Within 48 hours, he will try to achieve all those things he couldn't while he was alive. At the same time, post-mortem, he will try to save the dignity of his own community and his tribe, not taking too much care of himself.
Falling in the Paradise
Producer
A half-mad patriot who shot Avax from the roof of his house captures its American pilot during NATO bombing of Yugoslavia in 1999. The hostage gets romantically involved with his sister while unsuccessfully trying to escape.
Dust
Line Producer
Two parallel tales of redemption, a century apart. In the New York storyline, Edge hunts for Angela's gold to pay back a debt, and gradually grows closer to her. In the Macedonian story, the brothers end up fighting for opposite sides of a revolution, with the religious Elijah taking up sides with the Ottoman sultan and gunslinger Luke joining "the Teacher" , a Macedonian rebel.
Playroom
Production Manager
An archaeologist is haunted by a nightmare in which his family is murdered.
Cross of Iron
Assistant Director
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.