Rustam Ibragimbekov
Birth : 1939-02-05, Baku, Azerbaijan SSR, USSR
History
Rustam Mammad Ibrahim oglu Ibragimbekov (Azerbaijani: Rüstəm İbrahimbəyov; Russian: Рустам Ибрагимбеков; born 5 February 1939) is a Soviet, Azerbaijani screenwriter, dramatist and producer, well known beyond his home Azerbaijan and the former Soviet Union. He is the chair of the Cinematographers' Union of Azerbaijan and director of the Ibrus Theatre.
Rustam Ibrahimbeyov was born in Baku, Azerbaijan SSR. His father was a professor of art history who hailed from Shamakhi. Ibrahimbeyov is the younger brother of Magsud Ibrahimbeyov, an Azerbaijani writer and politician. Rustam Ibrahimbeyov graduated from Azerbaijan Oil and Chemistry Institute, then studied script writing and film directing at the Gerasimov Institute of Cinematography in Moscow. His writing credits include more than 40 film and television scripts, numerous plays and pieces of prose, and nearly all of his scripts were eventually made into full feature or TV films. Since the 1970s, he has collaborated with Nikita Mikhalkov. Urga, Territory of Love, directed by Mikhalkov and released in North America as Close to Eden, won the Golden Lion Award in the Venice Film Festival, as well as the Felix Award in Berlin as Best European Film. Close to Eden was nominated for American Film Academy Award (Oscar) in 1995 as Best Foreign Language Film. Burnt by the Sun (directed by Nikita Mikhalkov) received an Academy Award for Best Foreign Language Film in 1994 and Grand Prize of the Jury at 47th Cannes International Film Festival.
Ibrahimbeyov is a well-known writer. Several collected works were published in Russia, Azerbaijan and abroad. He also wrote over ten theatre plays that were staged in numerous theatres. Rustam Ibrahimbeyov is also credited with several full feature films which he directed. In 2001, Ibrahimbeyov founded Ibrus, a cultural centre in Baku functioning as a theatre where plays are acted in both Azeri and Russian. Ibragimbekov is currently the Chairman of the Confederation of Filmmakers' Unions (CFU), which represents filmmakers from all of the former Soviet republics, Secretary of the Russian Filmmakers' Union, and member of European Film Academy and Academy of Motion Picture Arts and Sciences. He splits his time between Baku, Moscow, and Los Angeles.
From Wikipedia, the free encyclopedia
Writer
Adaptation
Life creates many obstacles for 12 years old boy - Tedo. Tedo belongs to the generation, which was forced to mass displacement because of the civil war in Abkhazia, one of the most beatiful places in Georgia. The civil war took away everything Tedo had, even hope. The film tells about an extraordinary internal drama of a little boy, his thoughts, feelings, pasions, sorrows and efforts to take arms against the difficulties.
Producer
Young prince Aleksandr has to hold out against two enemies - the Horde in the east and the Teutonic order and Sweden in the west. He discovers that some boyars are plotting against him and are ready to betray Novgorod to the Swedes and the Germans to boost their trade. Meanwhile, his best friend falls under suspicion, as somebody tries to poison the young prince at his own wedding feast. Aleksandr has no way out - to defend his people against the invaders and to find the true poisoner.
Screenplay
The events of the film take place in the Soviet Union in the early 1980s. It is forbidden to listen to foreign radio stations, it is not safe to voice one’s opinions in front of strangers. Words of truth are spoken only in private kitchens behind the curtained windows. The KGB tap phones, survey the ‘unreliable’ and consistently step by step destroy all forms of decent. The protagonists challenge the inhumane state machine, putting on stake their very lives and proving that nothing and nobody can stop a person who is on his way to achieve a true freedom.
Producer
The plot of the film is based on three love stories. The events take place in Moscow, Baku and Africa, but most of them are related to the Azerbaijani capital. The film, shot in the comedy genre, takes place during the Great Patriotic War, when the Germans left the occupied territories.
Screenplay
A fading country music star (Keith) returns to his hometown, where he reunites with his childhood sweetheart and also meets his 16-year-old daughter for the first time.
Producer
The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.
Screenplay
The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.
Screenplay
Producer
The Nomad is a historical epic set in 18th-century Kazakhstan. The film is a fictionalised account of the youth and coming-of-age of Ablai Khan, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders.
Screenplay
The Nomad is a historical epic set in 18th-century Kazakhstan. The film is a fictionalised account of the youth and coming-of-age of Ablai Khan, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders.
Producer
The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.
Screenplay
The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.
Screenplay
Two young teachers In a home for deaf-mute and blind children decide to see if the children they are in charge of are capable of falling in love, but their experiments have unfortunate consequences.
Screenplay
Screenplay
A young Estonian goes to the Siberian Taiga to live as a hunter in a remote forest hut. He hopes to find his true self far from civilisation. The natives he meets introduce him to the myths of the north. The first is a young village teacher who wants to be a good wife to him. The second is a wild and untameable native who becomes his mythical bear-woman. When he accidentally kills a great black bear, his own shadow-creature, he burdens himself with guilt. However, he is given a chance of finding his inner balance. A romantic drama with mythical elements and breathtaking landscapes.
Screenplay
June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or prison. He and his French wife (her passport ripped up) are sent to Kiev. She wants to return to France immediately; he knows that they are captives and must watch every step.
Screenplay
Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.
Screenplay
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
Director
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
Screenplay
Mustafa works as a guide in Shaki (the city in Azerbaijan) and decides traveling to Turkey for making a trade to get some money. When his spouse and him went there, unexpected processes started to happen.
Screenplay
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things change dramatically with the unheralded arrival of Cousin Dmitri from Moscow, who charms the women and little Nadia with his games and pianistic bravura. But Kotov isn't fooled: this is the time of Stalin's repression, with telephone calls in the middle of the night spelling doom - and he knows that Dmitri isn't paying a social call...
Producer
Andrei's ex-girlfriend Tania (Anzhela Belyanskaya) has been constantly in danger of going to jail since he knew her. Their breakup was not his doing, and he is determined to keep her out of jail. Andrei (Oleg Menshikov) has a notion that, if he can raise enough money, he can smuggle her out of Russia into New York, where all will be well. While Andrei's grasp on reality may be tenuous, his ability to maneuver and scheme is unimpaired. He is a student filmmaker, and the kind of money he needs to save Tania with doesn't grow on trees. He begins raising funds by mugging men at public toilets, and graduates to stealing the drug money accumulated by more serious gangsters. After he has raised the money to accomplish his goal, his girl, the light of his life, confesses that she despises him, and then goes out and gets arrested.
Producer
In Russia in the late 1960s, Elena will do anything to see that her son Yuri succeeds as a pianist: she longs for him to win a competition that will send him to Paris. To ensure his success, she denies her love for an iconoclastic painter for whom she models, prostitutes herself to a Party figure, encourages her son to break with his true love because the girl is a Jew, and, in general, behaves in paranoid ways, believing, for example, that a new lodger, Evgeny, is a KGB spy. She also has her own family secrets, which she will go to any length to keep her son from learning.
Director
Two school friends have not seen each other for twenty years. During this time, one became an aircraft engineer, the other a gold digger.
Quite by chance, they met in a small town in the far north, and this meeting leads both to incredible and amazing adventures.
Screenplay
Incredible adventures of an Italian test auto-racer in the exotic and so unpredictable Russia! Originally, this film was made as a commercial for the Fiat Automobile Company, but the abundance of the shot material proved enough for editing a full-length feature.
Screenplay
A terrible tragedy occurs in the family of a famous general: one of his daughters is killed. The investigator leading the case understands that an outwardly prosperous and friendly family only seems to be pretending to be happy.
Screenplay
A farmer and his wife live in a rural part of Inner Mongolia with their three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled, the Russian becomes enchanted with the peaceful life of the countryside and decides to stay. But his presence presages big changes for the peasants.
Screenplay
A soldier recently returned home finds it hard to scrape by, and the girl he loved married.
Screenplay
Writer
1916: on the verge of being evicted from his apartment, unable to find a job, with a desperate wife and a sick child, a man wrestles with his conscience about whether to turn police informer for money.
Writer
Screenplay
Psychological drama about a university dean who leads a double life.
Screenplay
The setting for this off-beat drama of love and jealousy is the Pushkin Poetry Festival in Boldino. Liosha and his wife Tania are walking through the plush forest around Boldino when a mysterious figure pops up from behind a tree and asks the couple a question on an esoteric point of Pushkin scholarship. From that strange beginning, the man, whose name is Klimov, starts to ease himself into the couple's private space, and trouble ensues. Complementing this story is the festival itself, enactments of Pushkin's works, and emotional debates among the festival-goers over the meaning of his poetry.
Screenplay
Screenplay
After the story of the same name of Rustam Ibrahimbeyov.
Screenplay
After the story of the same name of Rustam Ibrahimbeyov.
Screenplay
Screenplay
Writer
Screenplay
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.
Screenplay
Screenplay
Screenplay
This lyrical psychological film is about true friendship. The characters in the film are contemporaries in of late 1970s Azerbaijan SSR with differing visions of the world, yet sharing true and lasting friendship.
Screenplay
Writer
It consists of 3 short stories: "Rivals", "Baladadash's First Love" and "Song Lesson"
Screenplay
A group of boys are growing up in a small Russian town during the first years after WWII.
Screenplay
As WWII comes to a close, a wounded Soviet soldier and a Kazak woman seek refuge in a church. In this holy place, they take time to rest and appreciate the beauty of their surroundings, as the interior of the building is lined with ornate works of art. A group of Nazi soldiers eventually disrupts this moment of peace, as they enter the church and defile the sacred works within. Undetected, the original occupants witness this atrocity and the proud Russian feels compelled to fight in an effort to preserve his country’s history.
Screenplay
The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...
Screenplay
At the end of 1943, during the occupation in Odessa, a new specialist Kraft arrives at the shipyard and soon becomes a chief engineer. It never occurred to anyone that a Soviet intelligence officer was hiding under the guise of a leader showing official zeal. At the decisive moment, when the victorious offensive of the Soviet troops forces the German-Romanian invaders to leave Odessa, on the instructions of the Center, Kraft leaves with them for further work behind enemy lines.
Original Concept
Murad, a young man, lives by the old ethical norms that are still valid in the suburbs of his city. He had promised Tofig, his childhood friend, to give him his sister as a wife, but Tofig is in love with another girl. He forgets the promise and takes the girl home. Murad is offended. According to the code of honor, he must take revenge. One of the first films ever produced in the Soviet Union to challenge the sociopolitical establishment.
Screenplay
Murad, a young man, lives by the old ethical norms that are still valid in the suburbs of his city. He had promised Tofig, his childhood friend, to give him his sister as a wife, but Tofig is in love with another girl. He forgets the promise and takes the girl home. Murad is offended. According to the code of honor, he must take revenge. One of the first films ever produced in the Soviet Union to challenge the sociopolitical establishment.
