Jasper Britton

Dr Prentice, a psychiatric doctor in a private clinic, is attempting to interview – and seduce – would-be secretary Geraldine. Unwittingly surprised by his wife, he hides the girl. The affairs multiply as Mrs Prentice is seduced and blackmailed by young bellhop Nicholas Beckett, and promises him the secretarial post. When a government inspector arrives, closely followed by Sergeant Match who is in search of missing parts of Winston Churchill, chaos, cross-dressing and mistaken identity lead the charge. This is The Curve Theatre's 2020 production of Joe Ortonm's play

In the 30s, a sophisticated soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

On the 6th December 1995, three Essex gang members were brutally murdered in cold blood. It’s now early 1997 and whoever killed the three men have yet to be brought to justice. An associate of the men, still mourning the loss of his friends, is convinced that it’s only a matter of time before he’s next. For him, the only way out is to go back in and work his way back up the criminal ladder. The higher he gets, the more violent the jobs become, his quest for power turning into an obsession. With life and family on the line can he hold his nerve together one last time in order to get out alive?

King Henry's health is failing as a second rebellion against his reign threatens to surface. Intent on securing his legacy, he is uncertain that his son Hal is a worthy heir, believing him more concerned with earthly pleasures than the responsibility of rule. Sir John Falstaff is sent to the country side to recruit fresh troops. Amongst the unwitting locals opportunities for embezzlement and profiteering prove impossible to resist - as the king's health continues to worsen, Hal must choose between duty, and loyalty to an old friend.

With his crown under threat from enemies both foreign and domestic, Henry IV prepares for war. Having deposed the previous king, he is only too aware how tenuous his position is, and the price to be paid if he falters.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Thriller charting the moral collapse of a police family. Two cop brothers, smothered by the shadow of their former police chief father, must investigate a crime they themselves have committed.

Set against the backdrop of the succession of Queen Elizabeth I, and the Essex Rebellion against her, the story advances the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.

The film follows the fortunes of an avant garde Morris team in their struggle to evolve Morris Dancing.

A pair of scientists investigate a mysterious death.