Lynne Ramsay

Lynne Ramsay

Birth : 1969-12-05, Glasgow, Strathclyde, Scotland, UK

History

Lynne Ramsay (born 5 December 1969) is a Scottish film director, screenwriter, producer, and cinematographer, best known for the feature films Ratcatcher (1999), Morvern Callar (2002), We Need to Talk about Kevin (2011), and You Were Never Really Here (2017).

Profile

Lynne Ramsay
Lynne Ramsay
Lynne Ramsay

Movies

Brigitte
Director
An insight into the creative process of photographer Brigitte Lacombe, exploring her obsession with taking pictures and how her lens defines her relationship with her subjects and the world.
You Were Never Really Here
Producer
A traumatised veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
You Were Never Really Here
Screenplay
A traumatised veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
You Were Never Really Here
Director
A traumatised veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, his nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Swimmer
Executive Producer
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface.
Swimmer
Director
A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface.
We Need to Talk About Kevin
Executive Producer
After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.
We Need to Talk About Kevin
Screenplay
After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.
We Need to Talk About Kevin
Director
After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.
Cinema 16: European Short Films (U.S. Edition)
Director
A collection of short films by 16 European directors.
Cinema16: British Short Films
Director
This critically acclaimed DVD contains 16 of the best classic and award winning British short films and delivers a snapshot of British cinema past and present. It includes films from Britain's most exciting new talent alongside early shorts from it's most successful filmmakers' amongst them Chris Nolan (Memento, Insomnia, Batman Begins), Ridley Scott (Gladiator, Alien), Mike Leigh (Secrets and Lies) and Stephen Daldry (Billy Elliot, The Hours). 01 About a Girl - Brian Percival 02 Boy & Bicycle - Ridley Scott 03 Dear Phone - Peter Greenaway 04 Doodlebug - Christopher Nolan 05 Eight - Stephen Daldry 06 Gasman - Lynne Ramsay 07 Girl Chewing Gum - John Smith 08 Home - Morag McKinnon 09 Joyride - Jim Gillespie 10 Inside Out - Tom & Charles Guard 11 Je T’aime John Wayne - Toby Macdonald 12 The Sheep Thief - Asif Kapadia 13 The Short & Curlies - Mike Leigh 14 Telling Lies - Simon Ellis 15 UK Images - Martin Parr 16 Who’s My Favourite Girl? - Adrian J. McDowall
Morvern Callar
Screenplay
After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.
Morvern Callar
Director
After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.
Ratcatcher
Writer
James Gillespie is 12 years old. The world he knew is changing. Haunted by a secret, he has become a stranger in his own family. He is drawn to the canal where he creates a world of his own. He finds an awkward tenderness with Margaret Anne, a vulnerable 14 year old expressing a need for love in all the wrong ways, and befriends Kenny, who possesses an unusual innocence in spite of the harsh surroundings.
Ratcatcher
Director
James Gillespie is 12 years old. The world he knew is changing. Haunted by a secret, he has become a stranger in his own family. He is drawn to the canal where he creates a world of his own. He finds an awkward tenderness with Margaret Anne, a vulnerable 14 year old expressing a need for love in all the wrong ways, and befriends Kenny, who possesses an unusual innocence in spite of the harsh surroundings.
Gasman
Writer
It's the Christmas season. With her mum's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's affectionate towards them. They walk down a railroad track where an unkempt woman waits with two children, about the same age as Lynne and Steven. The children go with them. They're all headed to a holiday party at a pub. Lynne notices that the girl acts a little too familiar with her dad. What's going on?
Gasman
Director
It's the Christmas season. With her mum's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's affectionate towards them. They walk down a railroad track where an unkempt woman waits with two children, about the same age as Lynne and Steven. The children go with them. They're all headed to a holiday party at a pub. Lynne notices that the girl acts a little too familiar with her dad. What's going on?
Kill the Day
Writer
Life through the eyes of an addict.
Kill the Day
Director
Life through the eyes of an addict.
Small Deaths
Director of Photography
The movie covers 3 events in a girl's life. The first shows her as a very young girl watching her father get ready to go out for a night. In the second segment she's a teenager who witnesses a nasty incident involving a cow. While in the third she's a young adult who goes to a creepy building with her boyfriend. He goes upstairs, leaving her to fidget nervously below. But then he calls to her ...
Small Deaths
Writer
The movie covers 3 events in a girl's life. The first shows her as a very young girl watching her father get ready to go out for a night. In the second segment she's a teenager who witnesses a nasty incident involving a cow. While in the third she's a young adult who goes to a creepy building with her boyfriend. He goes upstairs, leaving her to fidget nervously below. But then he calls to her ...
Small Deaths
Director
The movie covers 3 events in a girl's life. The first shows her as a very young girl watching her father get ready to go out for a night. In the second segment she's a teenager who witnesses a nasty incident involving a cow. While in the third she's a young adult who goes to a creepy building with her boyfriend. He goes upstairs, leaving her to fidget nervously below. But then he calls to her ...
Magic Cottage
Camera Operator
A man drunkenly stumbles into a park’s toilets and becomes beholden to a powerful new sexual compulsion.
Die, My Love
Director
A stark tale set in rural France of a woman driven to the brink of insanity by marriage and motherhood.
Stone Mattress
Writer
Verna, a 60-year-old retired physiotherapist and twice a widow, embarks on a luxurious cruise into the magnificent and silently thawing Arctic Northwest Passage, populated by a crowd of privileged influencers and wealthy retirees. On the ship, Verna meets the friendly and charming Grace, and the seemingly ordinary Bob, an unaccompanied man in his mid-sixties who inherited a family business, although he doesn’t have a fraction of Verna’s elegance and wit, Bob tries to seduce her. But he might not be the foolish yet harmless man he initially appears to be, and his presence troubles Verna. As wounds and humiliations from her past resurface, the smooth atmosphere of the cruise will be disturbed by Verna’s quiet, yet shocking act of vengeance.
Polaris
Writer
An original environmental horror period piece with elements of ancient horror.
Polaris
Director
An original environmental horror period piece with elements of ancient horror.
The Girl Who Loved Tom Gordon
Director
12-year-old Trisha McFarland strays from the path while she and her recently divorced mother and brother take a hike along a branch of the Appalachian Trail. Lost for days, wandering farther and farther astray, Trisha has only her portable radio for comfort. A huge fan of Tom Gordon, a Boston Red Sox relief pitcher, she listens to baseball games and fantasizes that her hero will save her. Nature isn’t her only adversary, though – something dangerous may be tracking Trisha through the dark woods.
The Girl Who Loved Tom Gordon
Screenplay
12-year-old Trisha McFarland strays from the path while she and her recently divorced mother and brother take a hike along a branch of the Appalachian Trail. Lost for days, wandering farther and farther astray, Trisha has only her portable radio for comfort. A huge fan of Tom Gordon, a Boston Red Sox relief pitcher, she listens to baseball games and fantasizes that her hero will save her. Nature isn’t her only adversary, though – something dangerous may be tracking Trisha through the dark woods.
Stone Mattress
Director
Verna, a 60-year-old retired physiotherapist and twice a widow, embarks on a luxurious cruise into the magnificent and silently thawing Arctic Northwest Passage, populated by a crowd of privileged influencers and wealthy retirees. On the ship, Verna meets the friendly and charming Grace, and the seemingly ordinary Bob, an unaccompanied man in his mid-sixties who inherited a family business, although he doesn’t have a fraction of Verna’s elegance and wit, Bob tries to seduce her. But he might not be the foolish yet harmless man he initially appears to be, and his presence troubles Verna. As wounds and humiliations from her past resurface, the smooth atmosphere of the cruise will be disturbed by Verna’s quiet, yet shocking act of vengeance.