Daniel Filho

Reencountering the only man she ever loved is Gringa’s dream. She is the owner of a brothel in the interior of Brazil and even though she is blind and very sick, she insists on fulfilling her last wish: to go to Venice to apologize to the lover she abandoned decades ago. To take her to the Italian city, Tonho, Rita and the other girls who work for Gringa come up with a fantastic plan with help from a circus troupe.

After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.

When executive Ricardo is found shot dead in the seat of his car without suspicion, Inspector Espinosa and police officer Daia are in charge of the case and soon begin to investigate the people closest to the victim. But when everyone involved in the case mysteriously disappears, the situation takes on unexpected proportions.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.

Suellen (Thalita Carauta) is a cook who works hard to keep her little son, her younger sister and her mother alone. One day, your dreams come true: she splits in two. Her copy, identical physically, has different personality, being much more extroverted and courageous. The idea would be to divide the tasks with the other one, but soon Suellen realizes that the look-alike has plans of its own, and decides to betray the original.

Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".

A series of crimes against redheads scares the people from a little town. After the death of his brother, the 13 year old Alberto decides to investigate what is happening and is helped by the experienced but forgetful Inspector Pimentel.

Moçambique beach in Florianópolis, have a lot of unsolved murders cases. One day, Diana, Alex, Paulinho and Marcinha went to a party in the forest. In the next day, three teenagers are found death. Diana is the only survivor, but she doesn't remember what happen. The only thing that will help to solve the case is the videos recorded with their cell phones.

Based on 'Death of a Man in the Balkans (2012)', an original feature film of Miroslav Momcilovic, 'Sorria, Você Está Sendo Filmado' ('Smile, You're Being Filmed') tells the story of a suicide, in only one shot of 80 minutes, from the perspective of a web cam which only the suicidal knew was on, giving the viewer the feeling of watching everything from his window. "From the screenplay to the shooting, we are doing a kind of reality cinema," sets this movie director Daniel Filho.

When Mari produces a music festival in Rio de Janeiro, she invites friends Tita, Aninha and Estrella to join her for another wild adventure.

Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.

Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.

Clara doesn't know what she wants to do with her life, until one day she meets Guilherme who helps her to find her own path.

An adaptation of the eponymous song by Renato Russo, a famous Brazilian singer and composer who in the style of Bob Dylan knew how to delight crowds by telling stories and singing with his lyrics. Focusing on the love story of outlaw João do Santo Cristo with Architecture major student Maria Lúcia, the movie takes place in Brasilia in the early 80s. In a clash of interest, drug dealers and the police conflict with one another,while the end of the military dictatorship in the Capital of Brazil, Brasilia takes place. The wanderings and tedium of a young rocker, who lived in a city still being built, are the backdrop for this story.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

A biography of spiritual medium and author Francisco Candido Xavier.

Three childhood friends plan meeting for a day in order to reassert their friendships and fight for their differences. One of them is involved with crime, one is a famous football player and the other struggles to maintain a middle-class lifestyle.

The life of a famous Brazilian film and television actor, including testimonials from people who knew him and worked with him, as well as excerpts from films and videos in which he acted.

Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.

Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.

Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!

A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

Teca, a late-night radio show host, uses her astrological skills to help listeners who call in for advice. But her own life feels empty and lonely. One day she makes the acquaintance of her handsome new neighbour, Gil, only to find out he is married.

Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.

Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.

Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a carpentry from his father and a taste for the pool. When a traffic accident crosses the parallel trajectories of the two, the imponderable imposes itself and the uncontrol begins.

Covering the last years of the famous Brazilian fashion designer in her doomed quest for justice, Zuzu Angel follows the case of her activist son Stuart's arrest, torture, murder, and subsequent corpse disposal by the military forces in early 1970s Rio de Janeiro, during the darkest era of Brazilian military regime and media censorship.

Roberta and Suzana are two sisters, both in their thirties, of totally different beauty and life styles, united by a common goal: to take revenge on their grandmother, a mean old woman who, in the past, turned the little girls' lives into hell, with her strict educational concepts. Since they were very young, the two sisters plan to kidnap the grandmother and now is the long awaited moment. Before Roberta and Suzana leave to the beach house, the setting of their grandmother's terrorist practices, Roberta, while waiting for Suzana at a restaurant, meets Renato, an extremely proper guy who ends up involved in this unexpected adventure. The two sisters' departure leaves Suzana's husband, Alberto, bewildered and he ends up being also part of a parallel mad adventure.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

Didi works as a butler at Pedro's father's house. While browsing an old photograph album, he and 10-year-old Pedro find an ancient map with the route to a treasure. They decide to search for it. But the treasure carries a curse cast by the three thieves who had stolen it first, during WW2.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

On Alberto's birthday, his daughter Zezé gets engaged. But the party turns sour when he decides to expose his pain and regrets.

In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.

Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than a spacious apartment in Copacabana. While dividing the articles – from the apartment’s sale to splitting a toy tea set – the sisters compare options, destinies, lifestyles, expectations. The divergences are inevitable, because they’ve followed very different tracks. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

David, a rock singer, and Didi, his assistant, are transported to a distant world. They must help princess Allim to face the evil Vizir, who wants to become king by marrying her.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

Two jumbled and coward drivers join a rich family that moves to an ancient castle inhabited by a resented, but friendly ghost.

Just when her family starts believing that she is dead, and that they can expect a rich heritage, Tieta returns from São Paulo to her native village in Bahia, which she had been forced to leave long ago because of some involvement with a goat herd. Believed to be fabulously rich - and nobody knows how - she brings to the great disappointment of her family a young step-daughter and heir. With the arrival of Tieta turmoil enters into the life of her family and their fellow villagers. Most particularly into the life of her nephew - promised to the Church - and the young aspiring mayor.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

Fausta is a survivor who dreams of building a house on land she's buying on the installment plan. Meanwhile she lives in a one-room tin-roofed hovel with her idle husband, João, and she works as a maid. Through it all she's a scourge, arguing, jeering and being jeered, but also displaying the spirit and energy of her idol, Tina Turner.

In this highly stylized Brazilian drama a sax player fondly remembers one wonderful night spent with his life's love and decides to find her again. He embarks upon a quest through the wild streets of Rio to find her. Along the way he meets an assortment of odd urban underworld characters.

The dictator of a small Caribbean island receives the New York Times daily, sent by a nephew. Through the newspaper, he gets in touch with the world. Guerrilla groups try to neutralize this information system.

A mirror bought in an auction changes the life of an executive and his wife. They become sexually aroused under the influence of the strange object, which belonged to a bordello in the past. Soon the friends who come to pay a visit also become affected by it.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

Severino do Quixadá (Renato Aragão), a humble northeastern shepherd of goats, rescues Captain Virgulano or simply Captain (Nelson Xavier) and his band of cangaceiros of an ambush armed by the lieutenant Zé Bezerra (Jose Dumont), its eternal persecutor. Captain escapes taking with him the mysterious box that he removed from the interior of the assaulted train in the city of Cajarana. Seeking to escape the shooting, Severino ends up finding himself in the cangaceiros' camp, along with the mishap friends Mussum and Zacarias who, taking advantage of the confusion, fled the chain.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro. Among its costumers, we find Ana, an actress, and her husband Zeca, a writer in crisis about his work.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

The brazilian star Rita Lee makes an exclusive concert to be part of the TV special "Grandes Nomes".

The program brings a career resume of the Samba's master Paulinho da Viola playing classics of MPB like "Sinal Fechado"(Closed Signal), "Nervos de Aço" (Nerves of Steel), "Pecado Capital", "Foi um rio que passou em minha vida" (It was a river that passed in My Life), "Cantando para não chorar" (Singing for not cry) and many others.

70-year-old widower living in a poor Rio de Janeiro suburb falls in love again when he finds a woman of approximately the same age.

In Rio de Janeiro, a successful yet underpaid young accountant lives with his pregnant wife in small apartment in middle class neighborhood of Copacabana. Unsatisfied with their way of life, the couple decides to accept the offer of becoming housekeepers of a rich man's vacation residence in a beach town.

Sad with her grandfather's death, Maria goes on vacation with her friend João on board a jeep. After being threatened by three thieves and helped by a Japanese traveler who opens their eyes to the mysteries of love, a pair gets lost in the forest and ends up at the home of a strange woman, who turns out to be a powerful witch Astarte. Realizing the danger they are in, Maria asks for help from the forest beings who teach her the secrets of the four magic keys: earth, air, fire and water. With these teachings, Maria leaves for the final confrontation against Astarte.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

Wanderley, a young and dreamy Army parachutist, arrives in Teresópolis, a resort mountain town, to enjoy his holidays with his father, a housekeeper for a rich family. Wandering around the woods, he meets Débora, an extremely good-looking girl, but doesn't reveal his true identity, saying only he was a Prince Charming in search of a Sleeping Beauty.

Wanderley, a young and dreamy Army parachutist, arrives in Teresópolis, a resort mountain town, to enjoy his holidays with his father, a housekeeper for a rich family. Wandering around the woods, he meets Débora, an extremely good-looking girl, but doesn't reveal his true identity, saying only he was a Prince Charming in search of a Sleeping Beauty.

The young singer Beth is torn between love for the honest pianist Guy; and the powerful smuggler Estênio, who sponsors his promising career.

For his first in a long series of wildly imaginative literary adaptations, dos Santos reinvented Nelson Rodrigues' novel about a pathological gangster with solid gold teeth and a voracious appetite for women and power. Embracing radically modernist narrative techniques, Golden Mouth offers a splintered, refractive portrait of brutal masculinity that returns repeatedly to the same moment from different vantages, each time revealing unexpected perspectives on the brutal yet strangely charming criminal. Lurid and disturbing, Golden Mouth delivers a savage satire of marriage and class pretensions, revealing a similar venality at the corroded heart of the sanctimonious bourgeoisie, the moneyed elite and the working class as they all mercilessly claw their way up and down the rickety and ruthlessly hierarchical Brazilian social ladder. -Harvard Film Archive

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

Three men who never met each other are hired by a mysterious client to carry out a daring bank robbery.

Raul, a playboy, marries Sheila and hire Nina, a photographer, to take erotic snapshots of his wife. Nina acquires an interest on Sheila, and through a maid, investigates the couple's intimate life.