Curt Goetz

Kurt Hoffmann's remake of his own 1953 movie based on the play by Curt Goetz.

Detective C.G. (Klaus-Juergen Wussow) begins to investigate the death of an attractive woman (Heidelinde Weis) whose naked body was found in Beverly Hills. When he recovers her journal, he is taken into her past where he finds that she lead a sexually promiscuous life. Perhaps in the pages of the diary will be a clue to her killer's identity. This thriller was the first German feature to be shot in Hollywood after WWII as well as the first feature for German television director Michael Pfleghar. Based on a bestselling novel by Curt Goetz, Die Tote Von Beverly Hills/The Corpse of Beverly Hills was adapted to the screen only a few short years after his death.

A respectable professor inherits a house and money in Montevideo from his wild sister, on the condition that he himself behaves in a disreputable way.

Observing staunch moral attitudes, professor Traugott Nägler, his wife Marianne, and their swarm of children life a happy and idyllic life in a small town. But when their oldest daughter Atlanta inherits a house in Montevideo that belonged to the deceased sister of the professor, the family′s life is about to change dramatically.

Observing staunch moral attitudes, professor Traugott Nägler, his wife Marianne, and their swarm of children life a happy and idyllic life in a small town. But when their oldest daughter Atlanta inherits a house in Montevideo that belonged to the deceased sister of the professor, the family′s life is about to change dramatically.

Observing staunch moral attitudes, professor Traugott Nägler, his wife Marianne, and their swarm of children life a happy and idyllic life in a small town. But when their oldest daughter Atlanta inherits a house in Montevideo that belonged to the deceased sister of the professor, the family′s life is about to change dramatically.

Successful and well-liked, Dr. Noah Praetorius becomes the victim of a witchhunt at the hands of Professor Elwell, who disdains Praetorius's unorthodox medical views and also questions his relationship with the mysterious, ever-present Mr. Shunderson.

In the face of two world wars, Professor Prätorius, a philanthropist and a surgeon, wants to exterminate the one danger to mankind, the microbe of stupidity, as he states in a spontaneous lecture to his male and female students. When he tries to help a pregnant girl he gets involved more and more in her life and is forced to marry her.

In the face of two world wars, Professor Prätorius, a philanthropist and a surgeon, wants to exterminate the one danger to mankind, the microbe of stupidity, as he states in a spontaneous lecture to his male and female students. When he tries to help a pregnant girl he gets involved more and more in her life and is forced to marry her.

In the face of two world wars, Professor Prätorius, a philanthropist and a surgeon, wants to exterminate the one danger to mankind, the microbe of stupidity, as he states in a spontaneous lecture to his male and female students. When he tries to help a pregnant girl he gets involved more and more in her life and is forced to marry her.

English Lord Arthur Cavershoot is a passionate Napoleon scholar who badly neglects his wife Josephine for his obsession with the French emperor. When the cranky historian travels to a Napoleon conference in Paris, his smart spouse secretly follows him. Unnoticed by her, the city of love threatens to spark a romance between Arthur and a chorus girl.

English Lord Arthur Cavershoot is a passionate Napoleon scholar who badly neglects his wife Josephine for his obsession with the French emperor. When the cranky historian travels to a Napoleon conference in Paris, his smart spouse secretly follows him. Unnoticed by her, the city of love threatens to spark a romance between Arthur and a chorus girl.

English Lord Arthur Cavershoot is a passionate Napoleon scholar who badly neglects his wife Josephine for his obsession with the French emperor. When the cranky historian travels to a Napoleon conference in Paris, his smart spouse secretly follows him. Unnoticed by her, the city of love threatens to spark a romance between Arthur and a chorus girl.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

The story is one of the classic operetta stories with a young princess destined to marry a king whom her mother tries to enforce while the young woman tries to escape her fate.

After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance.

Kitty Kellermann is put on trial for murdering her husband, a failed painter. When her counsel resigns from his mandate, the mysterious Peter Bille steps in, though it becomes apparent that he actually is not an advocate but Kitty's lover and moreover confesses the murder. The widow has to admit that the pictures by her deceased spouse sell much better, only for him to suddenly appear alive.

Hokuspokus is a 1930 German comedy film directed by Gustav Ucicky and starring Lilian Harvey, Willy Fritsch and Oskar Homolka. It was an adaptation of the play Hokuspokus by Curt Goetz.

Rupp (Jannings) is a former butcher, made rich in the meat packing industry as a result of the reversal of fortunes brought on by WWI. He is crude, uncouth and uneducated. His son, Fred, is the apple of his father's eye and is an auto enthusiast. The widowed Rupp falls in love with a former aristocrat, Helen, now down on her luck and pawning her last heirloom. He proposes marriage and she accepts in order to save her ailing mother who needs a monetary influx to avoid death. Her former boyfriend, Platen, warns Helen against Rupp's intentions - he and Rupp are enemies, Rupp having caused his being fired for protecting a chorus girl against Rupp's unwanted advances. Meanwhile, Graf, a shyster, arranges purchase of a near bankrupt auto manufacturing firm, Phoenix, to Rupp's great advantage with practically no monetary recognition to Graf, who swears revenge. Rupp comes upon his son begging Helen not to marry his father but to return to Platen.

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

Comedy about dare devil Emile who falls in love with Madeleine. The consequences are devastating.

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.