Arturo Ríos

After his father's passing, a teenager sets out for New York in search of his estranged mother and soon finds love and connection in unexpected places.

The de la Mora family, their friends, acquaintances, and rivals gather for the funeral of Virginia de la Mora.

While away in Mexico, Karine and Estelle witness the preparation and rejoicing of the “Day of the Dead”. Inspired by the beauty of the ritual and the fine spiritual humor of their hosts, they will soon learn to see their sister’s recent tragic death in a more light-hearted manner.

A dispute for the inheritance of the father of this family is the motor for this comedy, where siblings Andrea and Hector start a discussion with their aunt, who turns out to be the universal heiress of their father's because they don't comply with the rules established by their father.

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.

Esmeralda is a teenager with an unusual obsession: she collects lost, forgotten or discarded objects from people she doesn't know and keeps them in a box beneath her bed. This is the tale of three objects in the box and the people behind them, all in some way incapable of relating to the person they love most. It is also a tale of the box itself, and of how Esmeralda learns to open it, to feel and to hoard the most valuable thing of all: human relations.

Pablo and Marina wake up in a hotel room and then travel the country together, she accompanies him while he is in the process of writing a traveler's guide. Pablo is a married man with two daughters, while Marina is a college student. During the journey they pass through different points in the relationship, sometimes in full disagreement.

A man who travels back to the house of his father, grandfather and backwards.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

Gina is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.

He drinks too much, his primary relationship just ended, and he can't finish his screenplay.

Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.