Michael Moore's provocative documentary explores the two most important questions of the Trump Era: How the fuck did we get here, and how the fuck do we get ou
Jamario, Jaquan, Jailen, and Teague are teammates on the J.O. Johnson High School wrestling team in Huntsville, Alabama. Led by their passionate coach, they are trying to qualify for the State Championships but the pressures outside of the ring – emotional breakdowns, racial profiling by the police, teenage pregnancy – are mounting for each of the young men.
Jamario, Jaquan, Jailen, and Teague are teammates on the J.O. Johnson High School wrestling team in Huntsville, Alabama. Led by their passionate coach, they are trying to qualify for the State Championships but the pressures outside of the ring – emotional breakdowns, racial profiling by the police, teenage pregnancy – are mounting for each of the young men.
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
