Neville d'Almeida

Neville d'Almeida

Birth : , Belo Horizonte, Minas Gerais, Brazil

History

Neville Duarte de Almeida (born 1941), also known as Neville d'Almeida, is a Brazilian filmmaker, screenwriter, actor, photographer and multimedia artist, involved with contemporary art, installations, objects of art and performance. Born in Belo Horizonte into a Methodist family, he studied theater at the TU (Teatro Universitário de Minas Gerais), participated in the Centro de Estudos Cinematográficos (Center of Film Studies), and the Centro Mineiro Experimental when he started to work as an filmmaker. Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, is the third highest-grossing Brazilian film of all time.

Profile

Neville d'Almeida
Neville d'Almeida
Neville d'Almeida

Movies

Obsessão
Director
Candango: Memoirs from a Festival
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Os Espetaculares
An egotistical stand-up comedian fights with a spectator and gets fired. To be able to pay his son's pension, he decides to participate in a comedy group contest. Now he will need to work harmoniously with the rest of the team.
Neville D'Almeida: Chronicler of Beauty and Chaos
Self
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Humanos Causa
Director of Photography
A loose adaptation of a scene from a theatre play written and directed by Thiago Justino, "Humanos Causa" shows the people of a city reclaiming their rights.
Humanos Causa
Director
A loose adaptation of a scene from a theatre play written and directed by Thiago Justino, "Humanos Causa" shows the people of a city reclaiming their rights.
O Poder Negro
Director
An excerpt from Neville D'Almeida's debut feature "Jardim de Guerra" (1968), focusing on the Black Power speech made by a character played by Antonio Pitanga.
Dunas do Barato
Self
Redemption
Adaptation
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Redemption
Dialogue
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Redemption
Original Story
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Redemption
Screenplay
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Redemption
Lauro
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Redemption
Director
A young woman travels to solve a matter of life or death. As she seeks to do what she needs, the city exposes itself with its curious characters.
Pitanga
Self
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
The Cold Front Brought by the Rain
Adaptation
A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.
The Cold Front Brought by the Rain
Producer
A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.
The Cold Front Brought by the Rain
Art Direction
A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.
The Cold Front Brought by the Rain
Director
A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.
Plínio Marcos — Nas Quebradas do Mundaréu
Himself
The theatrologist, actor, director and overall polemist Plínio Marcos gets his life traced through images of the many spectacles he has put on interviews from various moments in his life, from the most rebellious and marginal, when he lacked resources for his art, to when he was invited to go to Paris and talk about his work
Planeta Gigóia
Director
A poetic film essay on Gigoia Island, Rio de Janeiro, and its people, fauna and flora.
Boa Noite Cinderela
Screenstory
An encounter between a young woman and an older man ends up in an unexpected way.
Boa Noite Cinderela
Original Story
An encounter between a young woman and an older man ends up in an unexpected way.
Boa Noite Cinderela
Director
An encounter between a young woman and an older man ends up in an unexpected way.
Ecos de Cannes
Milagrez
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Sole Meeting
Pope John XXIII
A silent film depicting a meeting between Nikita Khrushchev and Pope John XXIII is screened.
O Diário Secreto de Jane Joy: Calcinha
Director
A woman explains her distaste for the use of underwear.
O Diário Secreto de Jane Joy: Receita de Sedução
Director
A woman teaches her techniques on how to seduct over men.
Maksuara – Crepúsculo dos Deuses
Director
The tragic story of the misery and abandonment Brazilian indigenous populations have been suffering for over the last 500 years. Maksuara chronicles the wisdom of indigenous people, who live in perfect harmony with nature without destroying or damaging it.
A Voz do Provocador - O Ouro Roubado
Director
In a monologue, a man explains his thoughts on the exploitation of Brazil's native people's resources.
A Voz do Provocador: Internacionalização da Amazônia
Director
In a monologue, a man expresses his views over the international selling of the Amazon rainforest.
A Voz do Provocador — Parte 1: Os Artísticos
Director
In a monologue, a man expresses his distaste for the artistic community.
A Marca do Terrir
Compilation of early Ivan Cardoso's films in Super 8, including "Nosferato no Brasil (Nosferato in Brazil)"
Luz-Lux-Lúcia
A documentary short on Glauber Rocha's mother Lúcia.
Luz-Lux-Lúcia
Director
A documentary short on Glauber Rocha's mother Lúcia.
Tempo Glauber
Director
A documentary short on Tempo Glauber, a foundation created by filmmaker Orlando Senna and Glauber Rocha's mother Lucia in order to celebrate and preservate her son's legacy.
A Miss e o Dinossauro
Himself (archive footage)
A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.
Acquawater
Director
An experimental short film directed by Neville D'Almeida, based on the ambience of Cosmococa CC4, one of the installations planned by the filmmaker in partnership with visual artist Helio Oiticica.
A Água, a Mulher e o Regador
Director
Experimental short, focusing on both a woman and a watering can sharing the same swimming pool.
Glauber Rocha - The Movie, Brazil's Labyrinth
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
Hoje É Dia de Rock!
Director
An adaptation of Marcos Vinicius Faustini's rendition of José Vicente's eponymous 1971 play, a story that deals with the five children of Pedro Fogueteiro, who all live in a small town in the state of Minas Gerais and decide to go on a journey to find about their own individual identities in a moment of change lived by their generation, heavily influenced by rock music.
Razor in the Flesh
Screenplay
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
Razor in the Flesh
Man in Club (Cameo)
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
Razor in the Flesh
Director
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
Que Filme 'Tu Vai' Fazer?
Killed the Family and Went to the Movies
Music Supervisor
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Executive Producer
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Producer
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Screenplay
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Adaptation
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Man Reading Newspaper (uncredited)
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Killed the Family and Went to the Movies
Director
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Moon Over Parador
Family Member
Little known actor, Jack Noah, is working on location in the dictatorship of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse.. to play the dictator. Jack's acting skills fool the masses but not close friends and employees of the dictator.
Areias Escaldantes
Spy
In the near future, in the country of Kali, a group of young terrorists carry out robberies, kidnappings and murders under the orders of a mysterious big boss known as "Entity" and are pursued by the pompous and inefficient Special Police.
Noite
Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.
Rio Babilônia
Screenplay
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
Rio Babilônia
Original Story
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
Rio Babilônia
Director
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
Música para Sempre
Director
The picture brings interviews with the participants of the 1st São Paulo Jazz Festival that occurred in Anhembi Conventions Palace in September 1978 and reunited musicians, composers and singers from all around the world.
The Seven Kittens
Producer
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
The Seven Kittens
Adaptation
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
The Seven Kittens
Screenplay
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
The Seven Kittens
Director
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
Horror Palace Hotel
Himself
An unusual look at 1978 Brasilia Film Festival and the politics that make certain films fashionable or not.
Lady on the Bus
Screenplay
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Lady on the Bus
Adaptation
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Lady on the Bus
Associate Producer
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Lady on the Bus
Director
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Cosmococa
Himself
In 1973, exiles from Brazil during the military dictatorship, artist Hélio Oiticica and filmmaker Neville D’Almeida lock themselves in an apartment in Manhattan and fantasize a series of iconic sensory installations called quasi-cinema - experience blocks in Cosmococas. The work features slide projections on the walls of the rooms, showing drawing sessions carried out by the artists, using cocaine for doodling and a pocket knife as a brush.
Cosmococa
Director
In 1973, exiles from Brazil during the military dictatorship, artist Hélio Oiticica and filmmaker Neville D’Almeida lock themselves in an apartment in Manhattan and fantasize a series of iconic sensory installations called quasi-cinema - experience blocks in Cosmococas. The work features slide projections on the walls of the rooms, showing drawing sessions carried out by the artists, using cocaine for doodling and a pocket knife as a brush.
New York, 70s
Himself
Experimental short film, shot in Super 8.
New York, 70s
Director
Experimental short film, shot in Super 8.
Mangue-Bangue
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Mangue-Bangue
Writer
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Mangue-Bangue
Director
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Sem Essa, Aranha
Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.
The Angel Was Born
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.
The Red Light Bandit
Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.
Hunger for Love
An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive
Garden of War
Set Decoration
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Garden of War
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Garden of War
Producer
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Garden of War
Writer
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Garden of War
Director
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.
Blablablá
(as Neville Duarte D'Almeida)
The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.
O Bem-Aventurado
Editor
In the mid 1960s, while Brazil was being ruled by a military dictatorship, a young man, living in the city of Belo Horizonte, begins to approach a subversive behaviour.
O Bem-Aventurado
Writer
In the mid 1960s, while Brazil was being ruled by a military dictatorship, a young man, living in the city of Belo Horizonte, begins to approach a subversive behaviour.
O Bem-Aventurado
Director
In the mid 1960s, while Brazil was being ruled by a military dictatorship, a young man, living in the city of Belo Horizonte, begins to approach a subversive behaviour.
Piranhas no Asfalto
Director
Surucucu Catiripapo
Director