Martin Finger

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

In a series of vignettes, a young woman ponders her role in life as she navigates expectations, barriers, and challenges with her loved ones.

This fascinating historical drama looks at the life of "the Czech Schindler," Zdenek Toman, a controversial figure who was an unsavory politician and dubious entrepreneur, but also the savior of hundreds of Eastern European Jews.

A story about what ordinary internet browsing can do for kids. And parents change their lives.

Eleven years old Jacob does not know his Father. His picture is portrayed and idealized by his Mother and his own phantasy. Jacob is an uncontrollable and slightly asocial guy, who is lacking a male role model. He grows up among females- Mother, stepsister Pauline and Grandmother. Grandmother arrives to their small panel block building apartment at beginning of the Story. Jacob's resentment (a runaway escape through foggy neighborhood of concrete block buildings) is his way to finding out what' going on. It is his first disappointment, but also a first step of growing up. tease him. Mother has her hands full with the household and barely makes it. She does not have time to care about her children 's feelings. Money is tight. Among his schoolmates Jacob is considered poor and that bothers him as well.

In late-1950s Czechoslovakia, a young couple's new love is tested by their parents' expectations and the toll of the Communist regime.

In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.

Sisters whose husbands were arrested by the Gestapo struggle to get by with their children during WWII, while one grows close to a selfless doctor.

Martina is 18, loves dancing and goes by a nick name Shakira. Also, today she is leaving an orphanage...

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

Three years after the fall of the Berlin Wall; six months before the split of Czechoslovakia. Despite all warnings, a young homicide detective sets on investigating a convoluted case that involves Catholic clerical elite and high-ranked agents of the former secret service.

Story follows two best friend on private investigation. They are going to their hometown to prove that Michals mother was killed by his stepmother.

Story follows two best friend on private investigation. They are going to their hometown to prove that Michals mother was killed by his stepmother.

Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

Two clerks in a night club, milk, stuffed head of an antelope, voices from afar, homo-erotic tension and the question, if it is possible to extricate from routine and emptiness with the help of a crime. A black and white nightmare in psycho bits.

The psyche of a ruthless secret agent in Cold War Czechoslovakia begins to unravel when he obsesses over the girlfriend of a suspected subversive he is tracking. This taut political thriller is a bleak and potent rendering of the emotional destruction wreaked by totalitarianism.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.