Masaya Matsukaze

The story focuses on Kitarou's birth and stars Kitarou's father (later Medama Oyaji) and Mizuki (Kitarou's foster parent).

Four years after the events of SHIROBAKO the series, Musashino Animation has gone through unprecedented changes and things are looking bleak for the studio. One day, Aoi Miyamori is offered a role managing a new theatrical animation project. With only a few months left before the deadline, can MusAni complete the project in its current state? It’s up to Aoi to work alongside both familiar faces and new to finish the project in time!

Yōtarō Misaki finds himself lying on the beach one day. He is picked up by Arashi, who manages a restaurant called Kurage no Shokudō. When asked who he is, the protagonist tells a lie that he lost his memory — but he remembers everything, including the fact that his twin brother died.

The battle is over, and they can go about their normal lives now... or so they thought. With no time to rejoice after miraculously saving Mirai from Beyond the Boundary, Mirai lost all her memories. Akihito, now a high school senior, starts to avoid Mirai thinking it’s for the better. Not aware of Akihito’s feelings, Mirai tries to get closer to Akihito. Then, someone who knows of Mirai appears in front of the two. With Akihito’s troubles in vain, Mirai once again sets forth on a battle that forces her to look within.

It all began quite suddenly. Akihito, who appears human but is actually half yomu with the power to quickly heal himself, sees a freshman girl who appears ready to jump from the school rooftop. The girl, Mirai, who has the ability to manipulate blood, which is unique even among members of the spirit world, continues to fight her isolation. Akihito decides at that moment to save Mirai, but disturbing events soon begin to unfold.

Marika Katou, a third year student at Hakuho Girls' Academy, is a legitimate space pirate with a Letter of Marque. Between her studies, leading her school's space yacht club, working part time at Cafe Lamp, and being the captain of the space pirate ship Bentenmaru, Marika's days are very busy. One day, Marika gets a job to rob a high-class passenger ship, and she discovers that on the passenger list is Kanata Mugen, a boy who owns a "galaxy pass". Thus, an adventure featuring a hyperspace race between pirates and one young boy begins.

The war between Euro Britannia and the European Union continues. New orders are given to the W-0 Unit. To land in the middle of the enemy territory as a diversion. The pilots of the W-0 Unit consist only of the commanding officer, Leila, the only surviving Japanese from their last battle, Akito, and the three that escaped from the Eleven ghettos and lived in the underworld, Ryou, Yukiya, and Ayano. With everyone holding their respective expectations, the operation moves forward. On the other side in Euro Britannia, Shin, who made his benefactor commit suicide with the mysterious power of “Geass”, is appointed the leader of the Knights of St. Michael. As Shin steadily advances for the sake of his own ambition, he and his subordinates in the Ashura squad are given orders to deploy. The one that lives in order to fight, and the one that fights in order to live.

Gon, Killua, Kurapika and Leorio reunite to face a dangerous opponent who was once a member of the Phantom Troupe.

After the events of the first movie Yagami Light faces two new adversaries as he is trying to create a perfect world without crime or criminals. This movie continues the first tv special and is a summary of the last 12 episodes of the tv anime

It's Nozomi's birthday, but it is disturbed by Bunbee chasing after a girl from another world, Chocola. When Pretty Cure rescue her, she thanks them by taking them to her country, Dessert Kingdom. In this cockaigne with rivers of juice and candy growing on trees, they feel very comfortable. But then they meet the evil Mushiban and his two subordinates Dry and Bitter. They want to take over the kingdom and change Pretty Cure into sweets. In order to save not only Nozomi's Birthday but also the whole Dessert Kingdom, Pretty Cure have to fight their way against Dry and Bitter and also against their own friend: Coco, who is being brainwashed by Mushiban.

The Go-ongers intercept the Recycle Barbaric Machine Beast Army in their Engines, managing to scrap the 13. However, trio of mysterious warriors appear and their actions result with the Go-ongers losing the primary Engine Casts while being sucked into the Braneworld known as Samurai World, a dimension similar to Edo Japan where power is essential.

The Dematerialization Phenomenon, in which the real world becomes digital, has become a problem and must be resolved immediately. After hearing of this incident, Netto and Rockman left off after their father and Network Researcher, Yuuichirou. He also had found news of an invasion in the computer of the Trinity Brain trust company: 'The Earth itself will understand the way things stand in the cyber world'. In order to destroy the program causing the incident, Netto and Rockman have to go deep underground. But old enemies await them there, as well as new ones. As they fought each other, the vicious cyber-life, Nebula Grey, awakens. The Dematerialization Phenomenon will not be stopped unless Nebula Grey is defeated.

On November 29, 1986, Ryo Hazuki returns home to his family dojo to witness his father, Iwao Hazuki, battling with a man dressed in Chinese attire, who demands he hand over an item known as the Dragon Mirror. Iwao is murdered and Ryo embarks on a quest for revenge.

The team-up between Seijuu Sentai Gingaman and Denji Sentai Megaranger.

The team-up of Denji Sentai Megaranger and Gekisou Sentai Carranger. This V-Cinema special takes place between episodes 39 and 40 of Denji Sentai Megaranger.

Sho Aikawa plays a police detective whose dark personal history makes it impossible for him to stay within the limits of the legal system. But he is not just a detective; he is also a husband who has to explain to his wife how he got blood on his sleeve. And the criminals he pursues turn out to be as imperfect and oddly human as he is-and just as determined to protect their own families. This is the first of Kurosawa's films to pay homage to 1970s American gunslingers like Dirty Harry and reinvent them for modern Tokyo.