Florencia Peña
Birth : 1974-11-07, Buenos Aires, Argentina
Bárbara
Amidst the problems in their childless marriage, Matías and Eva try their hand at matchmaking, setting up their friend Barbara with the man who seems perfect, Julián. Once they realize that Julian is not what he seems, they try to warn Barbara away, but she may already be too infatuated.
Mirta Bertotti
Mirta is doing her best to navigate the social and economic crisis pummeling Argentina on the eve of the 21st century, after all, she's got an unemployed husband, three stressed-out kids, and a drug addict father-in-law to look after. As the crisis promises to boot the family from the middle class, Mirta decides to open a pizzeria that will serve slices with lots of laughs and extra drama.
Ella Misma (Cameo)
A famous TV weatherman, Miguel Flores, becomes public enemy number one when he fails to predict a terrible hailstorm. He is forced out of the big city, Buenos Aires, fleeing the capital for his birthplace of Córdoba. The result will be a voyage of rediscovery that is as absurd as it is human
Marcela Robledo
Marcela Robledo, on the verge of losing her job on a gossip show, learns of a showbiz-related story whose public airing could change her fate.
Vicky
Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.
Beatriz "Bety" Olave
A young man with charisma and magnetism enters the atmosphere of tropical music as a romantic singer and undertakes a vertiginous ascent to fame.
Nuria
Darío wakes up one day in his bed next to Renata, whom he does not know anything about. He begins to suspect that it is a joke of his friends or a scam, but Renata has an explanation: Darío is an earlier existence of herself.
Adriana María
Lucio Bordenave carries on the Grey lifestyle of an unemployed worker, dedicated to the trade of watchmaking, until in a somewhat mysterious way, his wife is admitted to a Frenopatic Institute. From this point on, the story enters a territory without parameters where reality is confused with the imaginary, sleep with wakefulness, and insanity with lucidity.
Laura
Screenwriter Javier Gross denies his past by making up fictional stories. Lucia, his wife, tired of his fiction, starts an affair. But not even the confession of infidelity touches Gross, who is caught up in the story of a script that is writing, whose idea is so powerful that dominates it completely. Lucia, after seeing that Gross is unshakable, decides to leave. But Gross wastes no time: the same day replaces Lucía by Laura. From day one, Gross confuses the names of women. Thus Laura is transformed into a second copy of the true love of Gross.
Flopi
Ana
Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.