Mohammad Rasoulof
Birth : 1972-11-16, Shiraz, Iran
History
Mohammad Rasoulof was born in Shiraz in 1972. He started his artistic activity at age nine by acting in the theatre in Shiraz. He then pursued writing and directing for the theatre. He has studied social sciences. Focusing on social issues and the mutual impact on the individual and society, by living under a dictatorial and impervious government, has been the subject of most of his films. The documentary The Twilght (Gagooman, 2002) was his first feature length film and won the Crystal Simorgh (phoenix) at the 21st Fajr International Film Festival in Tehran, as well as Best Documentary award at the 6th Iran Cinema House ceremony. Following the events a er the 2009 Presidential election in Iran, Mohammad Rasoulof and Jafar Panahi were arrested while on location making a film. At the ensuing trial Rasoulof was sentenced to six years imprisonment (5 years on charges of gathering and collusion against national security and 1 year on charges of involvement in propaganda against the regime). In the appeals court, he was acquitted of the first charge and his sentence was reduced to one year. In 2011, due to selection of his film Goodbye (Be Omid e Didar, 2011) at the 64th Cannes Film Festival, his exit ban from Iran was lifted. In 2013, after making the film Manuscripts Don't Burn (Dast-Neveshteha Nemisoozand, 2013)and its screening at the 66th Cannes Film Festival, his passport and personal belongings were confiscated at Tehran Airport. Currently he is out on bail. In 2013, at the 40th Telluride Film Festival, the Silver Medal of the festival was awarded to Mohammad Rasoulof, Coen Brothers and Robert Redford.
Director
A documentary about the last days of Baktash Abtin’s life, who was murdered by the Iranian regime. He got infected with covid in prison and the authoriti simply refused to do a myth about it until it was already too late.
Writer
Every country that enforces the death penalty needs people to kill other people. Four men are put in front of an unthinkable but simple choice. Whatever they decide, it will directly or indirectly corrode them selves, their relationships, and their entire lives.
Producer
Every country that enforces the death penalty needs people to kill other people. Four men are put in front of an unthinkable but simple choice. Whatever they decide, it will directly or indirectly corrode them selves, their relationships, and their entire lives.
Director
Every country that enforces the death penalty needs people to kill other people. Four men are put in front of an unthinkable but simple choice. Whatever they decide, it will directly or indirectly corrode them selves, their relationships, and their entire lives.
Producer
A widow who works tirelessly at a failing factory in sanctions-gripped Iran receives a marriage proposal that could mean financial security — but could also tear her family apart.
Screenplay
A widow who works tirelessly at a failing factory in sanctions-gripped Iran receives a marriage proposal that could mean financial security — but could also tear her family apart.
Writer
33-year old Ali lives in Tehran and does everything he can to give his 5-year old son a good life, despite their precarious financial situation. But then the child expresses a wish for a real car – a red coupé. It’s not just the money -- inflation and corruption also stand in the way of the dream being realized. Nevertheless, Ali is determined to make his son happy. Whatever the price.
Screenplay
Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.
Producer
Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.
Director
Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.
Producer
Khosrow and Morteza set out on a mission to kill someone. The assassination ought to be arranged as a suicide. At the last minute however, they are obliged to change their initial plans…
Screenplay
Khosrow and Morteza set out on a mission to kill someone. The assassination ought to be arranged as a suicide. At the last minute however, they are obliged to change their initial plans…
Director
Khosrow and Morteza set out on a mission to kill someone. The assassination ought to be arranged as a suicide. At the last minute however, they are obliged to change their initial plans…
Screenplay
Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.
Producer
Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.
Director
Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.
Producer
Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.
Screenplay
Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.
Director
Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.
Screenplay
An investigation of government censorship in Iran.
Director
An investigation of government censorship in Iran.
Director
Satellite TV is illegal in Iran but it is also the nation's secret obsession. An indulgence which has seeped into every pore of Iranian life. Satellite dishes are everywhere; But ever careful to protect the populace from immoral outside influence, the Morality Police force entry into homes wielding wire cutters and sledgehammers; spoiling the fun.
Production Design
Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?
Producer
Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?
Screenplay
Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?
Director
Squatters live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep house and raise children and Captain Nemat runs it all with an iron hand. We follow a lad who rescues fish trapped in the hull, an old man who stares at the sun, the idealistic teacher, and Ahmad, the Captain's assistant who has fallen in love with a young woman whose father wants to marry her to someone of means. What future has this sinking city?
Producer
Alireza Shalikaran is serving time in prison for theft. He is a troublesome figure, trying as he does to escape from the prison and committing acts of violence. A handful he may be, but he finds a caring figure in the prison warden. The warden puts forward the case that Alireza might settle down when he finds a wife. Yet how is Alireza to find a wife when he is enclosed within the prison walls? The task of finding a marriage partner falls to Alireza's mother, who is also in prison. She comes across a young woman, who, though incarcerated for drug-related offences, is respectable. Will the match work? An interesting look at the limits of prison life.
Screenplay
Alireza Shalikaran is serving time in prison for theft. He is a troublesome figure, trying as he does to escape from the prison and committing acts of violence. A handful he may be, but he finds a caring figure in the prison warden. The warden puts forward the case that Alireza might settle down when he finds a wife. Yet how is Alireza to find a wife when he is enclosed within the prison walls? The task of finding a marriage partner falls to Alireza's mother, who is also in prison. She comes across a young woman, who, though incarcerated for drug-related offences, is respectable. Will the match work? An interesting look at the limits of prison life.
Director
Alireza Shalikaran is serving time in prison for theft. He is a troublesome figure, trying as he does to escape from the prison and committing acts of violence. A handful he may be, but he finds a caring figure in the prison warden. The warden puts forward the case that Alireza might settle down when he finds a wife. Yet how is Alireza to find a wife when he is enclosed within the prison walls? The task of finding a marriage partner falls to Alireza's mother, who is also in prison. She comes across a young woman, who, though incarcerated for drug-related offences, is respectable. Will the match work? An interesting look at the limits of prison life.
Self
A self-portrait of Baktash Abtin during the Covid Pandemy.
