Margit Dajka
Birth : 1907-10-12, Budapest, Hungary
Death : 1986-05-24
Szerémi grófné
Bors néni
Mom
Csontvary Kostka Tivadar was a Hungarian painter, and the actor Latinovitsj Zoltan, who was originally slated to play him in the film, committed suicide during the preliminary planning.
Oszkár mamája
Misu is spending his summer holiday in an old block of flats in Budapest. The caretaker of the house, Poldi, a park attendant by occupation, is going to retire in a few days and he is afraid to think ahead of the years to come without grass and trees. An idea comes to Misu to spend the summer in an active way. He organises a working party to sod the inner court of the block of flats they live in. To achieve his plan, he has to make alliances with some people and to win the opponent to the idea, namely Kamilla, an insurance consultant. Their assistants in this mission will be the dustman and the coal deliverer and Piroska, a girl spending her holyday at Kamilla's.
Bruckner Szilvia
Zarkóczy Amálka (as Dayka Margit)
The university student couple, Andris and Mari, cross Nemesbérc during their summer vacation, to hasten the laying of a memorial stone to the memory of András's martyr father.
Öreg primadonna
After the breakup of the Austro-Hungarian Empire, a young Hungarian, wanted by the police for political crimes, escapes to just this side of the Austrian border. When he discovers that his escape contact has been shot, he disguises himself as a woman and, posing as a maid, takes refuge at a tuberculosis sanatorium. He lives there as a woman for the entire winter before resuming his journey in the spring.
Hupka (as Dayka Margit)
This lavishly spectacular film focuses on the character of Lorinc Parcen Nagy from the 1200-page Tibor Déry novel interwoven with numerous autobiographical elements. Lorinc Parcen Nagy is the offspring of an upper middle class family, whose life is marked by two violent deaths: the suicide of his father and the slaughter of an innocent worker. He breaks with his family and his mother in disgust; she is of weak character, a person who abandoned her own husband. He is also unable to discover the right tone with his colleagues and his lover who is an illegal party worker.
Orbánné, Erzsi (as Dayka Margit)
Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.
Zsófi néni
Anna néni
This film describes the narrator's childhood, the years before and after the Hungarian Soviet Republic, in a burlesque and fabulous style and with the humour of a child's fantasy.
Majmunka (as Dayka Margit)
Based on the stories of Hungarian writer Gyula Krúdy, this iconic film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád.
Piroska anyja (as Dayka Margit)
Juli is a 17-year-old student who takes a summer job in a local chemical factory. She is befriended by Piri, a girl with an unsavory reputation who has worked there before. The two friends are ogled by male workers who have overactive libidos and imaginations. Juli spurns the advances of a deluded Romeo while Piri continues to work and endure open hostility from the older female workers while her slothful parents sink deeper into alcoholism.
Aranka
SS doctor during the war worked on the serum of cancer, but discovered a terrible poison, one vial is enough to kill 100 000 people. 20 years after the war, the old Nazi gets out of prison, and the hunt for him and his discovery begins.
Háziasszony (as Dayka Margit)
The protagonists of a comic Romeo and Juliet story full of gags are two widowed pensioners. Nádor and Mrs. Komáromi meet in the cemetery while mourning their dead spouses and they fall in love.
özv. Széki Józsefné
The dramatically dense film takes place in workers' surrounding in the sixties. It raises the newspaper article serving as the basis for the short story to be a model: in a plastic factory fire breaks out causing enormous damages.
The film is a parable about honesty. The tired and sick country physician, doctor Weiss, has worked all through his life. He could finally withdraw from working, but his young successor leaves the district because of a trip abroad. Weisz is asked to continue working for some more time. For all his protestations, nobody seems to listen to him. Eventually, in spite of the protestations of his wife and his bad health condition, he consents.
Vass Mari
For the first time after 11 years, Simon, a young historian visits the village of his childhood at Balaton and Aunt Lina, his foster-mother. He gets upset by what he experiences there: the old woman's troublesome and vexing everydays, her quiet sadness. He is overwhelmed by his own memories, the death of his foster-father and by everything he was not aware of before, or he simply wanted to forget.
Mihály Zágon has been struggling with his conservative mother-in-law for a long time. Now, that his wife is pregnant, the old woman wants Piroska to stay in bed. Mihály is elected to be the president of the co-operative, but nobody is happy about this back home. His wife often pretends to be ill to keep him by her side.
Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.
1922. Sándor serves as a farm-hand, but would like to become a blacksmith. He is completely enchanted by the beautiful wife of his new master.
Fazekasné
Mrs. Fazekas and her three sons live in a tenement house in the outskirts. The eldest son, Fecó, is saving money in order to buy a washing machine for his mother, while her other two sons spend time by hanging around and playing tricks.
Racsákné (as Dayka Margit)
During the worldwide Depression of the 1930s, a young shopgirl is in love with a man of her own financial class, but succumbs to the seductive machinations of her wealthy boss.
Nagymama (as Dayka Margit)
Life is on in the old house of Vizváros. Kids play on the ground. The adopted son of the janitor, Matyi, is hopelessly in love with Juli. He would like to emigrate to America with her. She prefers Janó, the driver, a great womaniser.
Aunt Bakos
Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.
Camilla
Liliomfi is a 1954 Hungarian comedy film directed by Károly Makk. It was entered into the 1955 Cannes Film Festival. Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.
János Háry, the old veteran is telling his stories in the pub without end.
Iluska
1939 screen adaptation of the 1904 musical version of the classic Hungarian fairy tale poem by Sándor Petőfi.
Lina, Péter elvált felesége
Péter Ilosvay and Lina Vásárhelyi are wife and husband, but don't come along with each other. After the divorce they go on living under the same roof for they are unable to agree on the common wealth.
Rózsi Patkós Nagy
András and Rózsi have been engaged for years now, but, given the absence of her certificate of baptism, they cannot get married.