Dorothy Fay

Wild Bill Hickock (William Elliott), aka The Peaceable Man, meters out justice in the tough town of Deadwood in this highly fictional western from Columbia. Unlike the historic character, Elliott's gunfighter survives his encounter with the South Dakota hellhole, where he arrives to aid beleaguered livery stable owner Clint Wilson (Richard Fiske) and his sister, Madge (Dorothy Fay), in their battle against self-appointed town czar "Flash" Kirby (Arthur Loft). But before he gets that far, there is a little matter of proving Kirby guilty of wrongdoing and to achieve that, Wild Bill earns the enmity of both the Wilsons.

Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Columbia's 12th serial of 57 total (following 1940's "Deadwood Dick" and ahead of 1941's "White Eagle") is another of director's James Horne's "classics" where he evidently figured that the same reactions that served him well in Laurel and Hardy films would work well in action serials where he has all hands, heroes and villains alike, doing some kind of over-the top "take", no matter the situation. This loose adaptation of an Edgar Wallace story finds Michael Bellamy (Kenne Duncan in his Kenneth Duncan period) inheriting Garr Castle, but his brother, Abel Bellamy (James Craven, as usual making Oil-Can Harry look smooth), has him imprisoned unjustly and moves into the castle himself. When Michael's wife, Elaine Bellamy (Dorothy Fay), fails to return after visiting Abel, her sister Valerie Howett (Iris Meredith), accompanied by their father,

A blackmail mob is waiting for you to go out with one of these girls.

A U.S. marshal is sent to investigate a gang that is stealing horses from the cavalry.

A reporter and a lawyer investigate a women's prison and help an inmate who does not belong there.

A cowboy helps a pretty young woman and her father in their fight against land-grabbers who are trying to swindle them out of their cattle ranch.

Tex and Ananias are sent by the government to capture some Santa Fe rustlers. Tex recognizes Hendricks as an outlaw, captures him and learns that Hendricks intends to meet a rustler named Dorgan. Tex goes instead and finds out that Dorgan plans to move rustled cattle through the ranch owned by Graham and his daughter Ruth. Dorgan has Graham Pass set to be dynamited to stop any pursuit.

Kent wants the Allen ranch. So he has Steve and his men rustle their cattle using Pete as an informant. When the Trigger Pals Lucky, Stormy, and Fuzzy fight back, Kent frames Stormy for the rustling.

A racetrack melodrama, The Long Shot features Marsha Hunt and Gordon Jones as trainers of a thoroughbred horse. Despite the rivalries of their parents, the couple prepares to jointly enter the Santa Anita handicap. The odds are against their entry, but Hunt and Jones have every confidence of winning. Just before the starting bugle, gangsters intrude, demanding that the trainers throw the Big Race.

An outlaw on the run assumes the identity of a dead man. When in his new identity he finds himself elected the mayor of a small town, he decides to go straight.

Ore shipments are being stolen and the Rangers send Buck and his men to guard the next shipment. When that is stolen also, Buck is kicked out of the Rangers.

A quiet cowboy on a white horse saves a gal from cattle rustlers.

Gen. Ulysses S. Grant has a job for Wild Bill Hickok (George Houston) and his sidekick (Al St. John).