Maria / Maid
After being arrested the two adorable grannies spend some time in jail and then stand trial for the robberies they've committed.
María
Two women of lesser descent are dedicated to stealing to support their brother's daughter.
Suegra de Pedro
The Martyr of Calvary (Spanish: El Mártir del Calvario) is a 1952 Mexican drama film directed by Miguel Morayta about the life of Christ. It was entered into the 1954 Cannes Film Festival.
Juana Merced
An exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.
Personal dramas among the residents of an apartment house.
Mamá de María Eugenia
Young women in the steno-pool have to balance work, romance, and touchy-feely bosses.
Esposa de Guadalajara
Doña Elvira
Novice nun returns to her parent's home to save the family fortune by marrying a creditor.
Carmelita's Aunt
A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.
Teresa, Criada de Rosalia
Biography of the first Catholic Saint to be born in Mexico.
Doña Gracia Cataño
The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.
Doña Panchita
City slicker scams on young farmgirl while her fiance's in USA on a work permit.
Doña Cristina
A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.
Viuda
Remotely based on a famous Spanish zarzuela of 1910, this lavish, daring sex comedy was filmed on a gigantic art deco set that suggests ancient Egypt repurposed for an Astaire and Rogers musical. The Pharaoh, played here as a henpecked husband by the popular comedian Roberto Soto, seeks a virginal slave girl as a bride for his general Potiphar (Fernando Cortés), but Potiphar is impotent and the slave girl (played by Mapy Cortés in a swirl of high-spirited sexuality) has some ideas of her own.
Celestina
Peasant farmer and landowner are rivals for a woman. Sequel to Ay Jalisco No Te Rajes.
Nicasia
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito
Matilde
Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.
Polonia
Manuel leaves town leaving Soledad in deep sadness. After several years of absence, the young man returns to find Soledad married to Antonio. However, the woman continues to be in love with him and both are determined to consummate their love.
A 1940 film directed by Rafael E. Portas.
Adela
A 1940 film directed by Rolando Aguilar.
