Ravi Jhankal

When two prized jackfruits disappear from a politician's garden, a spirited cop's investigation takes an unexpected turn as she digs for the truth.

Meera and Arjun are professionals living in Gurgaon. On their way to a luxurious desert holiday they stop on a Highway dhaba for dinner, where they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

A young, beautiful and rich girl, Dimpy Singh, approaches Samrat Tilakdhari, a private investigator, with a strange case. Their garden got ruined for reasons that appear natural but are not known; leading horticulturists have examined the fading plants but they have not been able to identify the probable reason. Further, her father's favorite horse died; once again the reason for the pre-mature death remains a mystery. That's not the end; Dimpy's father Mahendra Pratap Singh, otherwise a very strong and balanced man, has been experiencing deteriorating health. All these aspects when combined makes the case sound weird and that grabs the attention of Samrat. Samrat along with his assistant friend, Chakradhar Pandey, visits the huge estate of Mahendra Pratap Singh. As he starts investigating, he discovers lots of mysterious facts.

A young boy's father gets killed unexpectedly by a fierce crowd. After fifteen years, the boy comes back to seek his vengeance.

Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.

A traumatized child becomes a political activist but agrees to become an assassin upon being captured.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

A man shares some lazy memories about his friend, Manek Mulla, who had a knack for telling stories. On this particular afternoon, Manek narrates a 'unique' love affair with the help of different stories, various characters' point of views and the social relevance of these stories. As these stories proceed, reality mixes with fiction.

A party is held in honor of the recipient of a literary prize, which attracts the cultural elite of the town. Missing is Amrit, a writer who left a promising literary career to become an activist among the tribals. His attempt to bridge the chasm between words and deed haunts those at the party. Based on a Marathi play by Mahesh Elkunchwa.

A twenty year old boy Manu, who dreams of joining the Indian Army, ends up joining Maoists because of a dubious job agent, who manipulates Manu that the government is awarding jobs to the Maoists who surrender.