A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.
Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.
Misael
A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.
Lumberjack
A woodcutter goes about his work.
