Jean Carlomusto

Movies

Esther Newton Made Me Gay
Director of Photography
Esther Newton was drawn to the drag scene as a student in the 1950s. Identifying as both butch lesbian and between genders, she felt a kinship with the queens; what the feminine clothing society expected her to wear felt like a form of drag. Her 1972 book ‘Mother Camp: Female Impersonators in America’ is noted as the first rigorous study of its kind. Now entering her sixth decade writing about queer communities, Newton exudes wisdom and a healthy dose of New York no-nonsense. The film’s amazing archive footage encompasses gay liberation, the feminist sex wars, AIDS activism and life on the safe haven of Fire Island. Her other main passion is dog training, so this illuminating history lesson is peppered with poodles!
Esther Newton Made Me Gay
Editor
Esther Newton was drawn to the drag scene as a student in the 1950s. Identifying as both butch lesbian and between genders, she felt a kinship with the queens; what the feminine clothing society expected her to wear felt like a form of drag. Her 1972 book ‘Mother Camp: Female Impersonators in America’ is noted as the first rigorous study of its kind. Now entering her sixth decade writing about queer communities, Newton exudes wisdom and a healthy dose of New York no-nonsense. The film’s amazing archive footage encompasses gay liberation, the feminist sex wars, AIDS activism and life on the safe haven of Fire Island. Her other main passion is dog training, so this illuminating history lesson is peppered with poodles!
Esther Newton Made Me Gay
Producer
Esther Newton was drawn to the drag scene as a student in the 1950s. Identifying as both butch lesbian and between genders, she felt a kinship with the queens; what the feminine clothing society expected her to wear felt like a form of drag. Her 1972 book ‘Mother Camp: Female Impersonators in America’ is noted as the first rigorous study of its kind. Now entering her sixth decade writing about queer communities, Newton exudes wisdom and a healthy dose of New York no-nonsense. The film’s amazing archive footage encompasses gay liberation, the feminist sex wars, AIDS activism and life on the safe haven of Fire Island. Her other main passion is dog training, so this illuminating history lesson is peppered with poodles!
Esther Newton Made Me Gay
Writer
Esther Newton was drawn to the drag scene as a student in the 1950s. Identifying as both butch lesbian and between genders, she felt a kinship with the queens; what the feminine clothing society expected her to wear felt like a form of drag. Her 1972 book ‘Mother Camp: Female Impersonators in America’ is noted as the first rigorous study of its kind. Now entering her sixth decade writing about queer communities, Newton exudes wisdom and a healthy dose of New York no-nonsense. The film’s amazing archive footage encompasses gay liberation, the feminist sex wars, AIDS activism and life on the safe haven of Fire Island. Her other main passion is dog training, so this illuminating history lesson is peppered with poodles!
Esther Newton Made Me Gay
Director
Esther Newton was drawn to the drag scene as a student in the 1950s. Identifying as both butch lesbian and between genders, she felt a kinship with the queens; what the feminine clothing society expected her to wear felt like a form of drag. Her 1972 book ‘Mother Camp: Female Impersonators in America’ is noted as the first rigorous study of its kind. Now entering her sixth decade writing about queer communities, Newton exudes wisdom and a healthy dose of New York no-nonsense. The film’s amazing archive footage encompasses gay liberation, the feminist sex wars, AIDS activism and life on the safe haven of Fire Island. Her other main passion is dog training, so this illuminating history lesson is peppered with poodles!
Compulsive Practice
Director
For the 2016 Day With(out) Art, Visual AIDS presents COMPULSIVE PRACTICE, a video compilation of compulsive, daily, and habitual practices by nine artists and activists who live with their cameras as one way to manage, reflect upon, and change how they are deeply affected by HIV/AIDS. This hour-long video program will be distributed internationally to museums, art institutions, schools and AIDS organizations.
Larry Kramer In Love & Anger
Producer
From the onset of the AIDS epidemic, author Larry Kramer emerged as a fiery activist, an Old Testament-style prophet full of righteous fury who denounced both the willful inaction of the government and the refusal of the gay community to curb potentially risky behaviors. Co-founder of both organization Gay Men's Health Crisis and the direct action protest group ACT UP, Kramer was vilified by some who saw his criticism to be an expression of self-hatred, while lionized by others who credit him with waking up the gay community — and, eventually, the government and medical establishment — to the devastation of the disease.
Larry Kramer In Love & Anger
Director
From the onset of the AIDS epidemic, author Larry Kramer emerged as a fiery activist, an Old Testament-style prophet full of righteous fury who denounced both the willful inaction of the government and the refusal of the gay community to curb potentially risky behaviors. Co-founder of both organization Gay Men's Health Crisis and the direct action protest group ACT UP, Kramer was vilified by some who saw his criticism to be an expression of self-hatred, while lionized by others who credit him with waking up the gay community — and, eventually, the government and medical establishment — to the devastation of the disease.
Sex in an Epidemic
Director
SEX IN AN EPIDEMIC is a pioneering documentary that explores the personal, political and structural challenges that have continually hampered the best efforts of HIV educators and community groups to curb HIV infection rates in the United States. It is a compelling history of the devastating early days of the epidemic in NYC, when men with "GRID" were a stigmatized population that died swiftly of a terrifying new disease. Few concepts have had as great an impact on sexuality over the past 28 years as that of "safer sex." Yet, as a concept, it is important to remember two things: first, safer sex had to be invented amidst an alarming lack of information that existed before the discovery of HIV in 1984; and second, safer sex as a concept had to be sold by the persistent and creative persuasion of community based groups all across the country.
Not Just Passing Through
Director
A documentary about lesbians preserving their history, with a focus on the work of the Lesbian Herstory Archives. Includes interviews with Joan Nestle, Jewelle Gomez, and Mariana Romo-Carmona, among others. Profiled are Mabel Hampton, Marge McDonald, theater group 5 Lesbian Brothers, and Asian Lesbians of the East Coast.
It Is What It Is
Director of Photography
Gay teenagers discuss a variety of issues, including sexual identity, problems associated with coming out, and health and safety concerns.
It Is What It Is
Editor
Gay teenagers discuss a variety of issues, including sexual identity, problems associated with coming out, and health and safety concerns.
L is for the Way You Look
Director
A short work that cobbles together lesbian history using whatever scraps of gossip and memory can be found, weaving a humorous portrait of a population's creative tussle for visibility and inclusion.
Something Fierce
Director
Short film created for Gay Men's Health Crisis
Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
Director
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
Manos a la Obra: The Story of Operation Bootstrap
Assistant Editor
This documentary analyzes the origins of the Puerto Rican economic development plan of the 1960’s, better known as Manos a la Obra (or Operation Bootstrap). The film examines this economic plan within the framework of Puerto Rican society, with special emphasis on the mass migration of Puerto Ricans to the mainland.