By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.
"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.
Mickey Moran, son of two vaudeville veterans, decides to put up his own vaudeville show with his girlfriend Patsy Barton. But child actress Rosalie wants to make a comeback and replace Patsy both professionally and as Mickey's girl.
Real-life mother and son entertainers Grace and Peter Lind Hayes star as a mother and her son. She’s a fading Broadway star working as a maid to prep for a possible comeback role and he’s the offspring who wants to follow in mom’s footsteps.
Myrt has a show chock full of talented performers that deserves to be on Broadway, but can't raise the necessary money. Jackson, a lecherous "producer", provides the money in order to get his hands on the show's pretty young star, Marge. Myrt teams up with Marge's boyfriend to try to thwart the randy producer and get the show to Broadway.
A stage director is trying to put on a musical/comedy revue, but has to contend with temperamental musicians, an inept stage crew and his three idiot sons.
