Marta Velasco

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside.

Santiago, gay single father, has reached a tipping point in his life. Reeling from a bitter breakup, he is facing the impending departure of his daughter Laila, with whom he shares a close yet emotionally charged relationship. As the fear of being alone threatens to swallow him whole, his behavior becomes increasingly erratic. Over the course of a chaotic summer divided between Argentina and Brazil, Santiago must learn to let go of Laila so each can find their own freedoms.

Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.

An immense fall-out between two sisters. A time for reproach and love. Something for a whole life between two beings produced by the same body but profoundly different. Together. And yet, irreconcilable. A fight to the death. Head-to-head. These sisters are our sisters. They are the multitude who live inside each one of us. That multitude is called: need, truth, struggle.

This drama about immigration into Europe is set in the city of Melilla, a Spanish possession in Africa on the border with Morocco.

In the polarized and violent Medellín (Colombia's 'City of Eternal Spring') of the 1970s, doctor Héctor Abad Gómez is concerned about both his children and children from less favored classes. After a devastating loss in the family, Héctor gives himself to the greater cause of public health programs for the poor in Medellín to the consternation of the city's authorities.

In 1963, under Franco’s dictatorship, two Swedish students travelled to Spain to spread news of the movements in favour of democracy. They contacted a young university troubadour, Chicho Sánchez Ferlosio, and on return to Stockholm set about making an album with the recording of his songs. They called it Canciones de la Resistencia española and kept the singer-songwriter's identity anonymous. The album was an instant hit all over Scandinavia.

Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.

Lila, a famous retired singer, loses her memory after suffering an accident, just as she planned her return to the stage.

María and Susana, two rebellious teenagers, spend the summer in a catholic camp. While they are grounded during a weekend, the most unexpected arrival in the most unexpected way will change their feelings about life, love and freedom.

Spain, 1966. An English teacher who travels to Almería when he hears that John Lennon is making a film there befriends with a 16-year-old boy who has run away from home and a young girl who also seems to be running away from something.

What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.

The story of a famous old sculptor, weary of life and the folly of men, who finds, thanks to the arrival of a Spanish girl escaped from a refugee camp, the desire to return to work and sculpt your final work in occupied France in 1943. Model and artist, as they work, speak with simplicity and closeness to everything around them: The life and death, the injustice of the war, youth and old age, the search for beauty in times of horror, the sense and the need for art ...

Young couple Samuel and Eva move to Madrid and start living together when he finds work as a photographer. Although Samuel doesn't knows, Eva's expecting a baby.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.

A man who has failed as a father and husband commits a heist to make money for his fledging business, but things become complicated when his wife interferes.