Frederic Fasano

Two brothers separated by one continent and two decades reunite when one of them becomes sick with cancer.

The story of a broken family striving to stay together while a curse and the ghosts of a haunted house try to tear them apart.

A satire about two struggling actresses who escape into a fantasy world to cope with rejection and hone their craft. Convinced their mysterious new neighbor is a talent agent, they take him hostage and demand acting careers as ransom.

The Smiths -- a family with a secret past -- are visited by a sweet-talking southern gentleman who is looking for small town humanity. But they'll soon find out that kindness towards strangers is not always rewarded, and the secretive stranger will find redemption does not always come easy.

In Torino, Celine, an American model, is abducted by a taxi driver while en route home to meet her sister Linda, visiting at her apartment. The next morning, Linda reports that Celine is missing - the sergeant in charge directs her to F.B.I. agent Inspector Enzo Avolfi. He's from the Special New York City Department investigating a serial-killer that kidnaps foreigners to destroy their beauty. When a Japanese woman is found at nearby a fountain, Enzo and Linda find that the girl is calling the abductor's skin is "Yellow" in color and Linda concludes that the guy might have jaundice. They go to the Policlinic di Torino to find the killer.

An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.

The film succeeds in communicating the intriguingly spiritual dimension of human life that transcends religious

In 1990, as a boy, Giulio was chased through the woods by two women after spying on them practicing witchcraft. Now a young film student in Turin, he watches his neighbors in the flats across from his third floor apartment, especially Sasha when she's naked or arguing with her mother. Giulio's girlfriend is disgusted with his voyeurism, but, after a murder occurs, Giulio is convinced that two relative strangers, just as in Hitchcock and Highsmith's "Strangers in a Train," have agreed to murder each other's bête noir. He follows his suspects, ends up with an intruder and a broken foot, and may be in real danger. Is he more than a peeping Tom?

A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.

Inspired by Giancarlo Marinelli's novel "Amori in stazione", the film talks about the fate of marginalization in the decay of a small railway station, where prostitutes, homosexuals, pimps, conscripts, immigrants, gypsies and ordinary people meet. Characters out of time and space. Artificiality is their language to get out of the rawness of the landscape.