Tania Hermida
Birth : 1968-01-01, Cuenca, Ecuador
Executive Producer
En el Nombre de la Hija tells the story of a nine-year old girl whose name is in dispute. Manuela has been named alter her socialist-atheist father, but her catholic-conservative grandmother insists she should carry the name the first daughters of the family have carried for generations: Dolores. The story takes place in a Valley in the Ecuadorian Andes, during the summer of 1976. Manuela and her little brother, Camilo, are spending vacations with their cousins and grandparents at the family's farmhouse. Eager to defend her father's ideas, Manuela confronts her cousins and grandparents, but an unexpected encounter leads her to confront herself instead. Hidden in the family's abandoned library, schizophrenic uncle Felipe is devoted to setting words free from the constraints of dogmas. His wisdom sets Manuela free from her own dogmas and forever changes her relationship with words, including her own name.
Writer
En el Nombre de la Hija tells the story of a nine-year old girl whose name is in dispute. Manuela has been named alter her socialist-atheist father, but her catholic-conservative grandmother insists she should carry the name the first daughters of the family have carried for generations: Dolores. The story takes place in a Valley in the Ecuadorian Andes, during the summer of 1976. Manuela and her little brother, Camilo, are spending vacations with their cousins and grandparents at the family's farmhouse. Eager to defend her father's ideas, Manuela confronts her cousins and grandparents, but an unexpected encounter leads her to confront herself instead. Hidden in the family's abandoned library, schizophrenic uncle Felipe is devoted to setting words free from the constraints of dogmas. His wisdom sets Manuela free from her own dogmas and forever changes her relationship with words, including her own name.
Director
En el Nombre de la Hija tells the story of a nine-year old girl whose name is in dispute. Manuela has been named alter her socialist-atheist father, but her catholic-conservative grandmother insists she should carry the name the first daughters of the family have carried for generations: Dolores. The story takes place in a Valley in the Ecuadorian Andes, during the summer of 1976. Manuela and her little brother, Camilo, are spending vacations with their cousins and grandparents at the family's farmhouse. Eager to defend her father's ideas, Manuela confronts her cousins and grandparents, but an unexpected encounter leads her to confront herself instead. Hidden in the family's abandoned library, schizophrenic uncle Felipe is devoted to setting words free from the constraints of dogmas. His wisdom sets Manuela free from her own dogmas and forever changes her relationship with words, including her own name.
Producer
Esperanza and Tristeza both have to get to Cuenca. However, by an unlucky turn of events, the bus they are on gets delayed due to a worker strike. Taking their journey into their own hands, they decide to hitchhike to Cuenca. Along the way they meet interesting characters who help them re-evaluate the purpose of their journey.
Writer
Esperanza and Tristeza both have to get to Cuenca. However, by an unlucky turn of events, the bus they are on gets delayed due to a worker strike. Taking their journey into their own hands, they decide to hitchhike to Cuenca. Along the way they meet interesting characters who help them re-evaluate the purpose of their journey.
Director
Esperanza and Tristeza both have to get to Cuenca. However, by an unlucky turn of events, the bus they are on gets delayed due to a worker strike. Taking their journey into their own hands, they decide to hitchhike to Cuenca. Along the way they meet interesting characters who help them re-evaluate the purpose of their journey.
Writer
Carla arrives in the Galapagos with her father, an expert biologist in turtle conservation. As he talks about raising endangered species, she faces the risks of her own species. Like the iguanas, which to survive mutated into sea creatures, Carla will transform into an Island and learn to cling to the stone, dive and wait.
Director
Carla arrives in the Galapagos with her father, an expert biologist in turtle conservation. As he talks about raising endangered species, she faces the risks of her own species. Like the iguanas, which to survive mutated into sea creatures, Carla will transform into an Island and learn to cling to the stone, dive and wait.
