Mark Zakharov
Birth : 1933-10-13, Moscow, USSR [now Russia]
History
From Wikipedia, the free encyclopedia
Mark Zakharov is a Soviet and Russian theatrical director and playwright. He was also a professor of the Moscow Theatre Institute (GITIS). Born on October 13, 1933 in Moscow, USSR, Mark Zakharov's father was a Red Army soldier during the Russian Civil War of 1918-1920, and his mother was an actress. Zakharov was raised in Moscow, where he was encouraged by his mother in his persistent efforts to become an actor. He was admitted after several attempts, and graduated from the acting school of the State Theatre Institute in 1955. Zakharov helped create an ensemble of actors who worked with him at Moscow's Lenkom Theatre, including: Inna Churikova, Leonid Bronevoy, Oleg Yankovsky, Aleksandr Abdulov, Nikolai Karachentsov, Aleksandr Zbruyev, Aleksandra Zakharova, Tatyana Kravchenko, Aleksandr Lazarev, and Dmitri Pevtsov. Mark Zakharov has been the Artistic Director of Moscow's Lenkom Theatre since 1973, where he has helped to define the landscape of Moscow's theatrical culture.
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Director
About the hapless bridegroom Podkolesin, who escaped from the bride through the window, and the picky bride Agafya Tikhonovna, who can not choose the right one, Mark Zakharov saw the story of a man who wants to change something in his life, but is not capable of doing anything.
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Dragon is a bloody dictator, who kills every opponent. People live hopelessly, until Lancelot comes to save the beautiful Elsa. Lancelot can only win, if all people become free from fear, that is feeding the Dragon's power. Dragon's multiple personalities, ranging from a "dragon" to a "samurai" to a "Nazi", scare the hell out of all people, except Lancelot. Finally Dragon drops all his masks, to become the most dangerous of his incarnations - "himself". And the battle begins
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Dragon is a bloody dictator, who kills every opponent. People live hopelessly, until Lancelot comes to save the beautiful Elsa. Lancelot can only win, if all people become free from fear, that is feeding the Dragon's power. Dragon's multiple personalities, ranging from a "dragon" to a "samurai" to a "Nazi", scare the hell out of all people, except Lancelot. Finally Dragon drops all his masks, to become the most dangerous of his incarnations - "himself". And the battle begins
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A Russian version of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him
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A young aristocrat, Aleksei Fedyashev, is languishing in his family's country estate, spending his days reading poetry and confessing his love... to a statue. Upon hearing that famous Count Cagliostro is touring Russia and has created quite a buzz in high society with his "magic", he decides to ask the Count to bring the statue to life...
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An immaculate, vivid and breathtaking implementation of Swift's romanticism.
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The teacher of the village school Horia, trying to instill in students a love for their land, tells them the legends associated with the ancient belfry. This displeases the headmaster, who did not understand the real motives of the teacher's behavior. The belfry burns down during the fire, leaves the village of Horia. But all that is good and useful that I did Horia is not lost. Remain his students.
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A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He becomes alienated from the society that failed to grasp his brilliance. In fact, his brilliance is what underlines the faults with the society itself. It's a beautiful yet tragic story that is filled with dense and intellectual dialogue.
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A wizard invents characters who all come to life and start to arrive at his house: a King, his servants, a princes, a bear trapped in a man's body - the usual lot. The Plot mainly rotates around the bear, who the wizard had turned into a man. The Bear, who wishes to be a bear once again, can turn into his old self if he were to kiss a princess. It gets complicated when he falls in love with that princess, that arrived at the wizard's house. For how can they be together, if a single kiss will destroy their love?
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A wizard invents characters who all come to life and start to arrive at his house: a King, his servants, a princes, a bear trapped in a man's body - the usual lot. The Plot mainly rotates around the bear, who the wizard had turned into a man. The Bear, who wishes to be a bear once again, can turn into his old self if he were to kiss a princess. It gets complicated when he falls in love with that princess, that arrived at the wizard's house. For how can they be together, if a single kiss will destroy their love?
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In December 1825, distinguished members of the Russian military, most of whom were quite affluent and of noble lineage, took it upon themselves to stir revolution against the autocratic and tyrannical Czar Nikolai I in the wake of his not honoring the drafting of a constitution for the Russian people. The revolution failed miserably and the conspirators (known as the Decembrists) were weeded out by the czar himself. One by one, each of the conspirators confess and are systematically exiled to the harsh winters of Siberia, slated to work and wither in a prison/mine. The wives of the conspirators are faced with the prospect of leaving the bosom of wealth and family (including their own children) to be with their husbands in the brutal Siberian locale. If they agree to this, they face having their illustrious social stations stripped away and certain disdain from everyone around them...
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Dyula, the son of four Orbak, is a young man, like everyone at his age looking for love and at the same time dreaming of complete freedom. He loves parents, but he is terribly tired of notations and teachings. And by and large, like many young people, they themselves do not know very well what they want ...
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A group of people setting out to find a previously assumed land and upon reaching it, not knowing how to deal with the customs of the place, have to deal with all the consequences.
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A doctor arrives from work in a provincial town from Moscow. At first, he yearns for the capital and friends. In addition, there are no patients. Igor decides to return to Moscow, but getting to know the locals, and even more the feeling that arose between him and nurse Alyona, forces him to change his decision.
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A doctor arrives from work in a provincial town from Moscow. At first, he yearns for the capital and friends. In addition, there are no patients. Igor decides to return to Moscow, but getting to know the locals, and even more the feeling that arose between him and nurse Alyona, forces him to change his decision.
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The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...
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Teleplay based on comedies by Serbian playwright Branislav Nušić and combined with song by Andrey Mironov
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Performance of the Lenkom Theater based on the play by M. Shatrov.
