Lee Ching

Chu Yuan was a patriotic poet and statesman in ancient China, born over 2000 years ago in the state of Ch'u of the "Warring States" Period, a period of transition from Slavery to Feudalism System. Ch'in, Ch'u, Chao, Wei, Yen, Han and Chi were the Seven States occupying various parts of China at incessant war of annexation with one another. Of the Seven States Ch'in grew most powerful. Vis-a-vis Ch'in's military pressure and Ch'u's political corruption, Chu Yuan advocated alliance with Chi to resist Ch'in abroad, and political reforms at home so as to unify whole China. Chu Yuan's political viewpoint met with sabotage by slave-owning aristocrat bloc, was unable to be carried out in Ch'u. Being so indignant he finally took his own life by jumping into the river. His poems "Li Sao" "Tien Wen" etc. in the development history of Chinese literature, shone with everlasting brilliance.

Hong Kong drama film.

Horror movie from Lan Kwong Film Company.

This Movie is in Chinese without subtitles so it's hard to give a full description. Famous for being a film from 1959 with a scene depicting hopping vampires.

A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

Yeung and Kwok are best friends whose wives become pregnant around the same time. Yeung's wife, Pao Sik-yeuk, finds a wounded man hidden in the barn and secretly helps him. He turns out to be a foreign Prince and disaster follows. The sons are then scattered with one growing up in the Prince's kingdom and the other in Mongolia. Now grown, they go out into the world and discover the secret details of their lives.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

A Chinese drama

A love triangle between a wrongfully accused fugitive, a judge's daughter, and her cousin.

A group of guerrillas fighting against Japanese invaders.

Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.